Anyone who knows me even casually knows my deep devotion to film. Which is why I’m excited, after years of blogging about music and theatre, to be getting back to my roots and covering the Festival du Nouveau Cinema for Forget the Box. I encourage anyone interested in international film to check our site during the festival, as I’ll be posting regular reviews of the films I see.
While preparing for my upcoming festival experience, I had the pleasure of speaking with Zoé Protat the head of programming. She explained that while other Montreal film festivals cater to niche audiences, FNC is more of a general festival that has “a little bit of everything for everyone.”
Her rule of thumb while selecting which films make it into the festival? “Basically it comes down to two things,” Protat explained, “I want to be surprised, and not bored.”
While Protat is eager for audiences to see all the films, she admits she has a soft spot for new talent: “The core of this festival is really about showcasing first features.”
In that vein, when I asked about films she’d recommend this year she gave me the following three suggestions; Matthew Rankin’s The Twentieth Century (which recently won Best Canadian First Feature Film at The Toronto International Film Festival) and Jérémy Clapin’s I Lost My Body (Which has won several awards including the Grand Prize at the Cannes Critic’s Week) and the Polish film Monument which Protat describes as one of “the boldest, edgiest films I’ve ever seen.”
So what am I looking forward to at this year’s FNC? It’s a combination of the newest offerings of my favourite auteurs, discovering new female filmmakers, and a couple of wild cards that could either be amazing or complete disasters.
Without further ado, here’s my top five FNC list in no particular order:
After being the victim of an acid attack, a young single mother in London must try and make sense of her life in this film directed by Sacha Polak.
Yes, this Baumbach divorce drama will hit Netflix eventually. But given the opportunity, I want to see it where one should see an auteur’s most personal work to date; on the big screen.
Mickey and the Bear
Teenage Mickey takes care of her PSTD-afflicted father. As their relationship becomes increasingly toxic, Mickey is forced to make major decisions that will change the rest of her life in this film directed by Annabelle Attanasio.
Family Romance LLC
Werner Herzog’s latest film explores Japan’s phenomenon of “
A young homeless woman on the streets of New York City does what she needs to survive before the first snowstorm of the year hits in this film directed by Andrew Wonder.
Featured Image: Scarlett Johanson and Adam Driver star in Noah Baumbach’s Marriage Story