Rocking While Black: An Interview with Fredua of Bad Rabbits

Fredua Boakye

“Growing up, people were always telling me that I was the ‘whitest Black kid’ they knew because I loved ‘white rock music’ like Radiohead and Dead Kennedys,” says Fredua of Bad Rabbits. He laughs, and quickly responds to them: “But you can’t ‘act a colour,’ and Rock & Roll culture isn’t reserved for X race. But I will say this until my dying day: Rock & Roll was created by a Black Queer woman named Rosetta Tharpe.”

Fredua is the frontman of Bad Rabbits, and I had the honour to speak with him about race, rock, and his thoughts on being a Black American in 2016.

Fredua tells me that conversations of race and belonging within his scene have always been a part of his consciousness, explaining the common lamentation among young men of colour that he was never “Black enough” for the Black kids, and “too Black” for the white kids.

“I considered myself a hybrid from the jump because nobody on either side liked me… The only kids who accepted me in school were the punk rock kids.” For Fredua, this embrace of the punk scene of the late 80s led to an early and profound appreciation for bands like Bad Brains, Dead Kennedys, and Public Enemy.

The moment of clarity that gave Fredua a real understanding of how he could fit into the Rock scene came when he saw Fishbone and Living Colour music videos, with Black musicians like Kendall Jones and Vernon Reid “not rapping, not singing, just jamming with guitars. When people said I was the ‘whitest Black guy’… There was nothing ‘white’ about what I was doing. Period. I was doing what I saw, and that was a Black person playing this music.”

When I asked Fredua about conversations of race in his current role as the frontman of a multi-ethnic band in a scene dominated by white dudes, he emphatically affirmed that there has never been racial tension at a Bad Rabbits show, as people are too busy having a good time. It’s when he stops making music for people to dance to, and starts talking about things that make him angry and upset – like the ability for police to routinely kill Black people with impunity – that tempers begin to flare.

Fredua explains, “There are probably a bunch of my fans that are inherently racist, and I know this because I’ve argued with them. They’re the types that grew up thinking Black people are supposed to only be entertainers or basketball players. When they see me speaking my mind it’s suddenly ‘Fredua, you’re an entertainer, you shouldn’t be talking like that!’ People are angry at the fact that I have the nerve to talk about things going on instead of making a song for them to dance to.”

In response to the recent spate of highly-publicized killings of Black people by police, Fredua posted a video to his personal Facebook page in support of the #BlackLivesMatter movement.

Fredua tells me that the response from most friends and fans was positive, but one fan came out of the woodwork to leave the following comment: “I follow you because I think your old band was awesome, but let’s be honest, this militant black guy thing isn’t working out for anyone.”

Fredua explains it’s no skin off his nose – people who see him not as a Black human being, but strictly an entertainer aren’t real fans anyway. The reluctance of white peers and fans to see him as anything but a stage presence has bothered Fredua since he first started singing: “I look back at school, and I mean, I did chorus for the girls. Don’t get me wrong,” he says with a laugh, “The girls loved my voice. But they didn’t love me. Because I didn’t look like them.”

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I asked Fredua if these reactions to his showmanship bother him when he looks back on them, and he is quick to point out that he’s one of the lucky ones. “I lived out my dream. That dream was to make music and act like a damn fool for the rest of my natural life, and I don’t have to worry about aging because I found the fountain of youth through music. I have a beautiful house and a beautiful wife and a beautiful dog and I get to do something I love all the time.”

Fredua mentioned that Bad Rabbits has a new album one year in the making that will have more anger in it than previous records. He describes some of the album’s lyrical content as “two year’s worth of anger,” much of it directed toward the issues that we spoke about.

The new album, American Nightmare, is planned to drop in September, but will likely end up coming sooner. When I naively asked if the early release was due to the urgency of the message, Fredua’s voice dropped to that sacred place where the spirit meets the bone:

“This is the thing that kills me about this issue of police brutality,” Fredua says calmly, but with palpable fury. Cops are always gonna kill people. As long as there’s a justice system that lets these people kill someone and go about their day, there is never gonna be any type of change. This country is hell bent on keeping things the way it is – to keep the haves and the have-nots, the white and the Black, the Us and the Them, separate.”

The footage of the recent shootings and lack of legal action against the officers involved has made it abundantly clear to the public that it is possible to kill a Black person with little to no consequence. Black activists like Fredua, understandably furious that their lives are proven to be worth less than white victims of similar violence, are routinely portrayed by mainstream media as “armed-and-dangerous Black Power rebels,” seconds away from violence.

Fredua (Second from left) with Bad Rabbits
Fredua (Second from left) with Bad Rabbits

In an interview with The New Yorker, Black Lives Matter co-founder Alicia Garza explained that this image is “a battle that we are consistently having to fight. Standing up for the rights of black people as human beings and standing against police violence and police brutality makes you get characterized as being anti-police or it has you being characterized as cop killers, neither of which we are.”

Fredua expressed a similar frustration, explaining that “it’s easier for news channels like CNN, MSNBC, and FOX to show footage of angry Black people on TV than it is for them to show smart Black people with an idea. Nobody is listening to the solutions we’re trying to offer. And the picture they put up of the shooter in Dallas? A pissed-off black man with a dashiki and a fist up? That puts a target on my fucking back!”

Despite all of the difficult topics that came up in our conversation, Fredua’s determination to keep performing and thriving as a Black man in America in 2016 shines through. His concluding statement was one of hope:

“I was raised by two West African immigrants that came to this country on an American dream…I’m gonna make sure that I achieve it through them with my voice. That dream was to have a prosperous, peaceful, God-fearing life. I will die for that. I’m not afraid for a shooter coming to my show, I’ll jump in front of any bullet to protect a fan. I’m gonna do what I do until I die. I will literally die for this.”

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