Hey you! Looking for some shows to see this weekend, but can’t figure out what to see? Well you’ve come to the right place. Take a gander, or stay awhile, and check out some of these shows happening in our lovely city this week!

Thursday, November 7th: THe LYONZ

THe LYONZ, a Montreal-based DJ/production duo and art collective have just released their newest single, Fall. THe LYONZ had released their debut album Peace Beyond the Pines in 2015.

The muti-talented duo’s work reflects a focus on hip-hop and electronic sounds, but their musical style is diverse and also weaves in touches of jazz, reggae, house, and funk.

The group will be performing this Thursday at Bar Loic, so check out their show and hear their newest single, live! 

THe LYONZ perform every Thursday at Bar Loic, 5001 Notre Dame Ouest, from 10pm to 3am. Entry is free! Check out the Facebook event for more info.

Thursday, November 7th: Jade Bird

Jade Bird is a 22 year old songwriter and musician from the UK, which makes her wistfully soulful Americana sound all the more a pleasantly surprising plot twist. Her debut EP, Something American, hits the nail on the head, and her most recent release, Lottery, has already blown up.

Her music rests on the edge of indie pop and hints to country and folk. Its charming emotional introspective character plays like a glance into her own soul at the junction of traditional story-telling genres and a more contemporary indie sound. 

Jade Bird plays Theatre Fairmount, 5240 Avenue du Parc. Doors open at 7pm. You can purchase tickets through the Theatre Fairmount website.

Friday & Saturday, November 8-9th: Barfly’s 23rd Anniversary Party

Local hole in the wall, (but not fly on the wall!), Barfly, will be celebrating its 23rd anniversary this weekend with two separate shows featuring some of your favorite local bands!

The Friday show will feature Dead Messenger, Ian Blurton’s Future Now, and the Enchanters, and the Saturday show will include performances from the Fast Food Fairies, Ashtray Heart, and the Pop Sicles.

The shows will begin at 9pm for both days, but since Barfly is also doing a 23rd anniversary happy hour special from 4pm to 9pm, it might be in your best interests to get there a little early. 

Barfly’s 23rd anniversary party will take place at Barfly, 4062a St. Laurent Blvd, on Friday and Saturday. No ticket necessary!

Saturday, November 9th: Ghostemane

Florida-man, Eric Whitney, known professionally as Ghostemane, is a modern-day pioneer of the metal hip-hop genre, though perhaps that goes without saying. Ghostemane’s music career began with him playing in hardcore punk and doom metal bands, but he’s since transitioned to producing his own sound that seamlessly fuses together hip-hop and metal in dark and unexpected ways that are sure to chill your spine. 

Ghostemane plays Mtelus, 59 Sainte Catherine St. E. Doors at 6pm, show starts at 7:30pm. You can get your tickets through evenko.

Are you or your band playing a show in Montreal? Let us know at music@forgetthebox.net. We’ll do our best to include you in an upcoming Shows This Week, but, of course, no promises.

Another week, more shows to see! Keep on reading to find out which shows you just can’t miss this week.

Saturday, November 2nd: Crumb

If you find that psychedelic rock is your bread butter, don’t miss this Crumb (performance happening on Saturday). If you’ve been having a less-than-stellar past week, you may find a Crumb of comfort in the soft psychedelic lullabies of indie-rock band, Crumb.

Yes, I made two bread puns and they were both kind of crumby, perhaps I can offer up a crumb of solace in the fact that the show will definitely be better than these puns?

All of that aside, the American indie-rock band just released their debut full-length album, Jinx, this summer and it’s gorgeous in every way, so if the impending doom of winter is starting to sink in and you’ve been day-dreaming about taking a trip, this could be it! 

Crumb plays L’Astral, 305 Rue Sainte Catherine O, Saturday, November 2, 2019. Doors open at 7PM. Tickets available through evenko.

Saturday, November 2nd: M.M. CRONE

From the neon synth pop duo who brought you Fish for Breakfast, Montreal-based group, M.M. CRONE, will be making an appearance at L’Escogriffe this Saturday and word through the grapevine is they’ll be giving us a sneak peak at some new songs.

These two have clearly hacked the code to bridging the vibe gap of a shadowy, dreamy past and an electric neon future. If you have a taste for gritty 80s synth with cryptic lyrics, or are just looking for a guaranteed good time, do I have a show for you! 

M.M. CRONE play L’escogriffe, 4461 Saint Denis, Saturday, November 2, 2019. Doors open at 9pm. Tickets available for $7 at the door.

Sunday November 3rd: The Interrupters

They’re a match and you’re kerosene; together you’ll burn down everything. Los Angeles ska punk band, The Interrupters, is performing this Sunday evening at MTelus, and I heard the show’s going to be fire.

Join them at MTelus this Sunday for a night of energetic ska-punk you won’t be able to resist singing along to!

The Interrupters play MTelus, 59 Rue Sainte Catherine O, Sunday, November 3, 2019. Get your tickets through evenko.

Monday, November 4th: Rayannah

Winnipeg-based artist, Rayannah, will be performing in Montreal just before she heads overseas on her European tour to perform her newest album, Nos Repaires, that was released this past March. Rayannah is a recent winner of Producer of the Year and Francophone Artist of the Year at this year’s Western Canadian Music Awards, and her talent is evident not only through her hauntingly beautiful voice, but also in her intricate beat-making.

Catch her show at Le Verre Bouteille this coming Monday.

Rayannah will perform at Le Verre Bouteille, 2112 Mont-Royal Est, Monday, November 4, 2019 at 8PM. Get your tickets through pointofsale.

Are you or your band playing a show in Montreal? Let us know at music@forgetthebox.net. We’ll do our best to include you in an upcoming Shows This Week, but, of course, no promises.

If you walked into Noah Baumbach’s latest drama Marriage Story without knowing anything about the film, you’d be forgiven for thinking that it was a love story. It opens with the leads Nicole (Scarlet Johansson) and Charlie (Adam Driver) talking about each other’s greatest qualities; she is a good mom, dancer, is attentive even to strangers. He is a good dad, eco-conscious, self-sufficient.

But then the rug is quickly pulled from under you. These lists were created after a marriage counsellor suggests they read them to each other.

Charlie passive-aggressively offers to read his first, Nicole doesn’t want to read hers at all. That’s when you realize this isn’t going to be a movie about a hip New York theatre couple. This is a movie about a frustrated separated couple that will soon become a divorced one, and the brutal road it takes to get there.

This is Baumbach’s second foray into directing a movie centred around divorce. The 2005 film The Squid and The Whale was inspired by his parents’ divorce and in that story, Jesse Eisenberg was clearly the Baumbach stand-in.

This time it’s Adam Driver’s turn, in a story based on his own 2013 divorce from Jennifer Jason Leigh. Because Baumbach is using moments from his own life to write and direct this story, it’s perhaps not surprising that Driver gets more of the focus in the film.

While I did want to see more of Nicole’s side of things, honestly focusing on Charlie didn’t ruin anything for me. I’ve loved Driver ever since he was the horny weirdo on Girls and in this film he delivers a career-best performance in a career that’s already filled with really great ones.

The scene about half-way through the film when Charlie and Nicole decide they need to have a sit-down in his temporary LA apartment he’s begrudgingly rented to spend more time with his son stands out especially. It’s a 10-minute one-act play in many ways.

It begins with the couple tensely but calmly expressing the desire to work out their issues, and increasingly escalates until people are punching the walls, sobbing uncontrollably, and wishing the other person was dead. It’s a master class in acting and guaranteed to get Johansson and Driver both Oscar nominations. In Driver’s case, I think he has a really good chance of winning.

Neither Charlie or Nicole is a blameless victim in this split. Yes, Charlie cheated, but Nicole has also taken their son across the country to LA and has no intentions of sending him back to New York.

Their lawyers (Laura Dern, Alan Alda and Ray Liotta) go from trading witty barbs to brutal punches as they try to paint their clients as the victims or heroes in this story. But we know that neither is really the case.

While this all sounds like a monumental bummer, I assure you the film isn’t all non-stop heart-wrenching drama. There are in fact plenty of humorous moments in between all the serious ones to give you some breathing space in between the more intense scenes like the one I mentioned above.

The product of all this is without the best film I saw at the Festival du Nouveau Cinema, and so far my pic to win all the awards this season.

Marriage Story will have a limited run in theatres before streaming on Netflix December 6th

More shows in Montreal this week! Check ’em out!

Sunday, October 27th: Selci

Calgarian electro-pop act, Selci, will be performing at Case del Popolo this Sunday, October 27th, following the new release of her debut EP, Effervescence, this past August.

Though her background is in opera, contemporary, and classical styles of music, Selci seamlessly transitions her practiced understanding of sound to pop through layers of ambient beats and jazz-inspired electronica. The coalescence of sounds and genres proves for a truly ethereal experience, so don’t miss your chance to catch the show! 

Selci plays Casa del Popolo, 4873 St. Laurent Blvd., Sunday, October 27, 2019 from 8pm to 11pm. Get your tickets through eventbrite!

Sunday, October 27th: JS Ondara

As part of the Montreal International Jazz Festival, folk musician J.S. Ondara, will be performing this Sunday, October 27th at L’astral. Originally born in Nairobi, Kenya (shout out to the +254!), J.S. Ondara discovered Bob Dylan at a young age and has been making his own music ever since.

Though he’s a newcomer to the American folk scene, Ondara demonstrates a deep understanding of what it feels like to have a complex sense of ‘home’. 

J.S. Ondara plays L’Astral, 305 rue Sainte Catherine Ouest, Sunday, October 27, 2019 at 8pm. Purchase tickets here.

Tuesday October 29th: King Princess

American singer/songwriter, born pop-star, and universal girlcrush, King Princess, is back in Montreal this week following the release of her debut album, Cheap Queen, (though she’s already no stranger to stardom). Her music is classically good, queerly cathartic, and also happen to be entirely perfect for singing your heart out.

Don’t miss your chance to have your heartstrings played on all night by the love of my life. You can catch her show at MTelus, this Tuesday. 

King Princess plays MTelus, 59 St Catherine Est, Tuesday, October 29, 2019. Show at 8pm, doors at 6:30pm. Get your tickets through evenko.

October 31st: Orjan Nilsen

There’s always a lot to do during Halloween, but if you’re to dance the night away to a sound born at the crux of spine-chilling and exhilarating don’t miss Norweigan producer and DJ Orjan Nilsen, who will be performing at Newspeak this Thursday, the 31st for a special Halloween show. Known for his lively performances and high energy sets, Orjan has amassed a dedicated fan base around the globe.

Orjan Nilsen plays Newspeak, 1403 Rue Sainte Elisabeth, Sunday, October 27, 2019. Show starts at 10pm. Get your tickets here.

Are you or your band playing a show in Montreal? Let us know at music@forgetthebox.net. We’ll do our best to include you in an upcoming Shows This Week, but, of course, no promises.

“So that was basically Inglorious Kingdom, right?” I overheard someone tell their friend as I left Cinema Imperial after last Sunday night’s screening of Taika Waititi’s (What we do in the Shadows, Thor: Ragnarock) latest project, the Nazi-buddy comedy Jojo Rabbit.

As I’ve thought about the film the past few days, I feel it’s the perfect way to explain this movie to people: It balances broad comedy and the (historically inaccurate) horrors of war like Quentin Tarantino’s Inglorious Basterds while also being a sweet coming of age story filled with fairy tale colours and hipstery music choices like Wes Anderson’s Moonrise Kingdom.

The film tells the story of Johannes (newcomer Roman Griffin Davis) a 10-year-old boy living in World War Two era Germany. So much is Johannes indoctrinated in the Nazi propaganda machine that whenever he needs a good pep talk to get himself psyched up, he imagines the Fuhrer himself (played by Waititi, who is a triple threat here as writer/director/actor) coming to give him some words of encouragement.

While it’s a little suspicious that Johannes would envision his hero to be this silly and effeminate, as a viewer you get it. If there’s anyone out there who deserves to be mocked and derided, it’s Adolph Hitler.

As we follow Johannes to Nazi youth camp, (where his instructors include Sam Rockwell, Alfie Allen, and Rebel Wilson, who all deserve recognition for doing their best with very cartoonish, undeveloped characters) we see that as much as he protests that he’s “really into swastikas” he can’t murder a rabbit when asked. It’s very clear that Johannes, or “Jojo Rabbit” as he’s now called by his fellow Nazi youth campers, is never going to be the ruthless fascist he aspires to.

Johannes’ blind devotion to the cause gets even more muddled when he returns home and realizes that his eccentric mother Rosie (Scarlett Johansson) has been hiding Jewish girl Elsa (Thomasin McKenzie, who gives another amazing performance after last year’s Leave no Trace) in the walls of his dead sister’s bedroom. Talking with Elsa whenever Rosie is out of the house, Johannes comes to realize that all the stuff he’s heard about Jews is wrong. And maybe instead of being revered, Hitler should just fuck off?

Jojo Rabbit has received mixed reviews since premiering this fall at the Toronto International Film Festival. Some people have said the film is not funny (which I vehemently disagree with, I thought it was hilarious) and that trying to make a coming-of-age story set in Nazi Germany is problematic.

I do agree with that to some extent. The film definitely shows the horrors of war when it wants to, and then either avoids or over sentimentalizes other moments when it wants to focus on the comedy/coming-of-age bits.

But that still doesn’t dissuade me from recommending this film to people. In fact in many ways, I’d say it’s the Hitler buddy comedy you never knew you needed.

Jojo Rabbit has already played at the Festival du Nouveau Cinema. But it’ll have a wide release in Montreal theatres this fall

Ever since I saw Pedro Almodovar’s All About My Mother I’ve been a huge fan of the Spanish auteur. I’ve always been impressed by how this filmmaker can make films that are outwardly so outlandish in scope; with their eccentric characters, brightly hued colour palettes, and melodramatic storylines… feel so intimate and authentic.

A lot of has to do I think with the autobiographical elements the filmmaker sprinkles into his stories. With his latest film, Pain and Glory, Almodovar creates one of his most personal stories yet.

It follows a charming but depressed ageing director Salvador Mallo (Antonio Banderas in a career-best performance). Salvador is not-so-subtly inspired by Almodovar himself. His house is apparently an exact replica of Almodovar’s, and Banderas even wears some of the director’s own clothes.

One of the reasons Banderas’s performance is so great here is while he gives a brilliant homage to one of his most frequent collaborators (the pair have made eight movies together since the 1980s) he still manages to make Salvador feel like his own man. Never once when you’re watching the film do you feel like “This is Banderas playing Almodovar.”

Salvador hasn’t made a film in years and he’s consumed with a litany of physical ailments that may or may not be psychosomatic in nature. Just when he’s wondering what the hell to do with himself, he gets a call from the local cinematheque; they want to screen one of his films from thirty years ago and would like him to come speak to the audience afterwards.

This call inspires Salvador to track down the star of the film Alberto (Asier Etxeandia) with whom he famously had a falling out years before. Seeing Alberto again is both a disaster (he convinces Salvador to try heroin for the first time) and a good thing; it allows Salvador to reflect on other key moments from his past.

He ends up reconciling with an old lover. We see glimpses of his relationship with his mother (Penelope Cruz and then portrayed in later years by Julietta Serrano) and his first crush on a local handyman Eduardo (Cesar Vincent) that sparked his realization that he was queer.

Dealing with these ghosts of his past seems to spark hope in the director. He may not be the bad boy of Spanish cinema anymore, but he’s ready to create more personal, contemplative stories.

Again it’s hard not to see the parallels between Salvador and Almodovar himself here; because this film is without a doubt his most personal and contemplative yet. Critics have been comparing this film to Fellini’s 8 1/2 and it’s an apt comparison.

Let’s just hope instead of a filmmaker at the end of his career looking back, that this is just the beginning of many more Almodovar films to come.

Pain and Glory plays on October 17th at The Festival du Nouveau Cinema and opens in regular theatres October 18th

Dirty God, Dutch filmmaker Sacha Polak’s English-language debut, tells the story of Jade (Vicky Knight) an acid attack survivor who’s trying to rebuild her life. Fresh out of the hospital, Jade has plenty to contend with; nightmares of her ex-partner and father of her child who perpetrated the attack, her young daughter calling her a ‘monster’, her hard-partying circle of friends not quite knowing how to handle her.

After interactions with her family and friends don’t prove helpful, Jade turns to the internet for relief. First through obsessively researching plastic surgery options, secondly by connecting with strangers for video sex chats. Unfortunately, both of those avenues lead to disaster as well.

In the hands of a lesser director, Dirty God could easily have become either a dreary drama about a woman who can’t catch a break, or a sentimental puff piece about someone finding the beauty within. Thankfully the film walks masterfully in between those two extremes; it’s able to find moments of happiness for the feisty and resilient Jade without losing its grasp on reality. Jade has had a hard life and it’s likely only going to get harder, but she’s a woman strong enough to face these adversities and keep going.

There are some strong supporting roles in this film, such as Katherine Kelly as Jade’s shoplifting mom Lisa, and Bluey Robinson as Naz, Jade’s best friend’s boyfriend who just may have feelings for her as well. But what really makes this film worth seeing is the performance of Vicky Knight in the lead.

It was important to director Polak that Jade be portrayed by a real burn survivor. As a child, Knight’s body was burned badly in a fire. Imagining Knight would understand what Jade is going through isn’t much of a stretch. The fact that she easily carries this whole film on her performance alone, especially when it’s the first time she’s ever acted, is something even more impressive.

Dirty God plays at The Festival du Nouveau Cinema on October 18 and 20th

What is it about dysfunctional father/daughter relationships that female directors find so appealing? Whatever the attraction is to tell these kinds of stories, I’m glad they’re being made; it’s led to some truly great cinema. After last year’s Leave no Trace, the actress turned filmmaker Annabelle Attanasio gives us her impressive debut feature Mickey and the Bear.

Set in rural Montana, the film tells the story of teenage Mickey (Camila Morrone) and her Iraq-war veteran father Hank (James Badge Dale). While there are brief glimpses of Hank’s charm, he’s mostly a violent and pathetic addict who doesn’t know how to function in the world anymore. With her mother dead for an undetermined amount of time, Mickey has taken up the mantle of running the household.

Mickey celebrates her eighteenth birthday early in the film and with adulthood, she finds herself at a critical crossroads. Does she stay in Montana and keep taking care of her father, who clearly won’t survive without her, or pursue her dreams of a life out west?

While it’s clear she loves her father, it’s impossible to deny their relationship has become increasingly toxic. Things get especially disturbing when Hank gets a little too handsy and keeps calling Mickey by her mother’s name during his binges.

Morrone and Dale both give impressive performances as the conflicted father and daughter, but it’s Dale who really shines. Hank likely was a good person at some point but has let his rage and disappointment in the world consume him. Dale manages to show all of that with a simple glance or line delivery.

It’s the first film I’ve ever seen with Morrone but after her nuanced performance as a teen desperate to discover her purpose, I’m looking forward to seeing what she does next.

That goes double for writer/director Annabelle Attanasio. Although I’ve seen this type of film before, both as a writer and filmmaker she manages to make it feel fresh through the intimate story, interesting music choices, and most of all, allowing her performers to shine.

Mickey and the Bear plays at The Festival du Nouveau Cinema October 15th, 16th and 19th

Another week, more great shows to see! Scroll down to see what’s on the menu for music in Montreal this week.

Thursday, October 10th: MEUTE

Does the phrase “techno marching band” intrigue you at all? I can’t really imagine how the answer could be no, but if your answer was yes go see MEUTE at the SAT this Thursday!

The band consists of eleven drummers and horn players from Hamburg, Germany who perform the role of a DJ but with their instruments. The result? A seamless blend of electronic music with live acoustic instruments.

Don’t miss this truly unique performance! 

MEUTE will perform at the Société des Arts Technologiques, 1201 blvd Saint-Laurent, on October 10th, 2019 at 8PM. Tickets available through Electrostub.

Saturday, October 12th: Kero Kero Bonito

London indie pop band Kero Kero Bonito (KKB) will be performing this Saturday in Montreal. While there are a lot of indie pop bands out there, KKB is truly one that operates to the beat of their own drum, if the drum was accompanied by something along the lines of quirky British bubblegum pop.

For me, their music always seems to stir up something of a childlike wonder through its various layers of game-like sound effects and practically ‘lullaby-pop’ sound. Catch their show at the Fairmount this weekend. 

Kero Kero Bonito play Fairmount Theatre, 5240 Avenue du Parc, this Saturday, October 12th, 2019 at 9PM. Get your tickets through evenko.

Sunday, October 13th: Kompromat

Vitalic and Rebeka Warrior (of Sexy Sushi, and Mansfield.TYA) have come together to form Kompromat and will be performing their first show in North America in Montreal on Sunday, October 12th as part of the 48th edition of the Festival du Nouveau Cinéma.

Their music is reminiscent of old-school Berlin techno but with a distinctive punk tone, with Warrior commanding the role of the voice, and Vitalic the machine. The product of their unique dynamic is a riveting electronic experience  you won’t want to miss.

To top it all off there will also be a free screening of Blood Machines following the performance as part of the FNC experience. 

Kompromat will perform at Agora du Coeur des Sciences, 3805 blvd Saint-Laurent, for the Festival du Nouveau Cinéma on October 13th, 2019 at 8:30PM. Tickets available through ticketpro.

Tuesday, October 15th: Charli XCX

If you’ve managed to get this far in your life without ever encountering 27 year old Myspace pop sensation Charli XCX, then I think it’s safe to say you probably just haven’t been paying enough attention, because her influence is everywhere.

Charli’s music confidently straddles the line of mainstream and experimental pop, drawing us in with her happy futuristic club-kid exterior and keeping us there with her refreshingly perceptive navigation of both the genre of pop and her role as an artist within it.

Catch her performance this Tuesday, October 15th at the Corona Theatre. 

Charli XCX plays Corona Theatre, 2490 Notre Dame St. W, Tuesday, October 15 at 8pm. Tickets available through evenko.

Are you or your band playing a show in Montreal? Let us know at music@forgetthebox.net. We’ll do our best to include you in an upcoming Shows This Week, but, of course, no promises.

Last week I had the privilege of attending this year’s installment of POP Montreal, the fest that humbly began in 2002 with less than 20 bands and has ballooned to that number just in venues alone. On top of the more than 450 bands they also now have visual arts, cinema, kids activities, symposiums and probably a few more things I’m forgetting about right now.

When you look at the lineup from those early years what stands out the most isn’t the number of bands but instead just how many of them went on to big things. This is the allure of POP, catching that hidden gem of a band before they hit it big and being able to watch them in a small venue setting. At least I thought this was the allure, more to come on that in a moment.

Obviously trying to analyse the full lineup in detail to figure out who to see is impossible so I didn’t even bother to try. I just picked a few things that interested me and went with it. I expected there would be some misses along with the hits and allowed myself some time to wander to unplanned shows as well.

The results were as to be expected, a mixed bag of good, bad and random. For the purposed of this article I will focus on the most random and fun show I saw. Yes, just one show out of 450. I figure there’s no point in trying to talk about everything anyways so I might as well talk about one thing the right way.

When I made my way to Sala Rosa on Thursday night for headliners Hollerado what I knew about them ahead of time was that they had been around for a while and they were a rock band with punk influences. That was about it.

Very early on in the show lead singer Meno Versteeg gave me another crucial piece of information when he told to the crowd that this was going to be their last show in Montreal. Ever.

The band is parting ways with one final album release and tour. I had mistakenly made my way into Bizzaro POP, and alternate dimension where instead of seeing a band on the cusp of making it big you watch a group about to end their career.

The show was a perfect storm for a live performance: a group of high level professional performers with years of stage experience and tons a chemistry between them with a grand total of zero fucks to give about anything anymore.

With a lot of bands you can almost see the weight of “trying to make it” on their shoulders. This tends to bog their shows down by always sticking to conventional performance archetypes.

Hollerdo was anything but that, playing for the joy of it, having a blast and nothing more. They were pretty random as well with some of their decisions making the show anything but generic.

For example, they were dressed in matching Adidas tracksuits that were hardly flattering. Why? They joked that Adidas was going to give them ten thousand dollars and claimed that drummer Jake Boyd cost them the money by not also wearing a matching suit. In reality they just felt like it.

How do I know the reason for the tracksuits? Because this was the first question they answered at their mid show Q & A. The show just sort of stopped and people were given time to ask anything they wanted. “What’s with the tracksuits?” was the obvious first question.

Other randomness involved inviting people unprepared on stage to play songs. This is something that most bands wouldn’t risk but when you have nothing to prove to anyone then I guess you just go for it and hope for the best. In the end those ended up being some of the more memorable moments of the night.

My last random moment was when they mentioned that their show the next day in Sherbrooke was going to be canceled so they could go to the climate strike “because some things are more important than a stupid rock concert.”

I assumed this was just another joke or pandering to the local crowd but I checked their twitter and the show was actually canceled. I guess at some point you have to get your priorities in line.

Google searches don’t really explain why these guys are breaking up and it seems odd to me since they are relatively young and there seems to be no “creative differences.” Whatever the reason, it’s a shame. But at least I got to catch the end of the wave.

Anyone who knows me even casually knows my deep devotion to film. Which is why I’m excited, after years of blogging about music and theatre, to be getting back to my roots and covering the Festival du Nouveau Cinema for Forget the Box. I encourage anyone interested in international film to check our site during the festival, as I’ll be posting regular reviews of the films I see.

While preparing for my upcoming festival experience, I had the pleasure of speaking with Zoé Protat the head of programming. She explained that while other Montreal film festivals cater to niche audiences, FNC is more of a general festival that has “a little bit of everything for everyone.”

Her rule of thumb while selecting which films make it into the festival? “Basically it comes down to two things,” Protat explained, “I want to be surprised, and not bored.”

One of Protat’s personal pics for this year is Matthew Rankin’s The Twentieth Century

While Protat is eager for audiences to see all the films, she admits she has a soft spot for new talent: “The core of this festival is really about showcasing first features.”

In that vein, when I asked about films she’d recommend this year she gave me the following three suggestions; Matthew Rankin’s The Twentieth Century (which recently won Best Canadian First Feature Film at The Toronto International Film Festival) and Jérémy Clapin’s I Lost My Body (Which has won several awards including the Grand Prize at the Cannes Critic’s Week) and the Polish film Monument which Protat describes as one of “the boldest, edgiest films I’ve ever seen.”

So what am I looking forward to at this year’s FNC? It’s a combination of the newest offerings of my favourite auteurs, discovering new female filmmakers, and a couple of wild cards that could either be amazing or complete disasters.

Without further ado, here’s my top five FNC list in no particular order:

Dirty God

After being the victim of an acid attack, a young single mother in London must try and make sense of her life in this film directed by Sacha Polak.

Marriage Story

Yes, this Baumbach divorce drama will hit Netflix eventually. But given the opportunity, I want to see it where one should see an auteur’s most personal work to date; on the big screen.

Mickey and the BearMickey and the Bear

Camila Morrone stars in Annabelle Anttanasio’s Mickey and the Bear

Teenage Mickey takes care of her PSTD-afflicted father. As their relationship becomes increasingly toxic, Mickey is forced to make major decisions that will change the rest of her life in this film directed by Annabelle Attanasio.

Family Romance LLC

Werner Herzog’s latest film explores Japan’s phenomenon of “rentaru furendo“: agencies that fill emotional voids in people’s lives by offering the services of actors to pretend to be family members or lovers.

Feral

A young homeless woman on the streets of New York City does what she needs to survive before the first snowstorm of the year hits in this film directed by Andrew Wonder.

Featured Image: Scarlett Johanson and Adam Driver star in Noah Baumbach’s Marriage Story

The Festival du Nouveau Cinema runs from October 9th to 19th

Welcome back to Shows This Week! I’m glad you made it. What’s that? You don’t know what shows to see this week? Well, in that case let’s just dive right in…

half•alive Friday, October 4th

If you’re anything like me and all this gloomy weather has got you feeling some type of way, go see Half Alive’s show this Friday at L’Astral as part of their world tour, and they’ll be sure to bring some colour back into your life, if not at least put just a little pep back into your step.

The Californian indie pop trio’s most recent album, Now, Not Yet, was released this past August and contains previously released hit singles still alive and RUNAWAY

Half-Alive will play at L’Astral, 305 rue Saint-Catherine O, Friday, October 4th, 2019 at 8PM. Tickets available through evenko.

Lil MoseySaturday, October 5th

If you haven’t heard of Lil Mosey, here’s what you need to know: he originally blew up on Soundcloud but he’s not a mumble rapper, he’s only 17 years old, and his music has already gotten millions of plays online.

Don’t miss your chance to catch the rising trap star this Saturday at Corona Theatre. 

Lil Mosey will perform at Corona Theatre, Saturday, October 5th, 2019 at 7PM. Tickets are available through the Corona Theatre website.

Manila Killa – Saturday, October 5th

Another young success story, Manila Killa, a 22 year old DJ and producer from the Philippines and Washington D.C. will be performing this Saturday at Newspeak. Killa’s music edges on ethereal with a unique sound that embodies elements of indie pop and electronic music which ultimately come together in a sort of movie-soundtrack-to-your-life vibe.

Will you cry? Will you dance? I guess you’ll have to find out this Saturday. 

Manila Killa will perform at Newspeak, Saturday, October 5th, 2019 at 10PM. Tickets are available through the Newspeak Montreal website.

Sarah Pagé – Saturday, October 5th

Montreal-based harpist, Sarah Pagé, will be making an appearance this Saturday alongside Joni Void, Sam Shalabi, and N Nao.

Pagé’s unique and profound understanding of her instrument may lead you on a journey you’ve never been on before, and yet which somehow still possesses the essence of something all too familiar.

Sarah Pagé will perform at Casa del Popolo, 4873 Boulevard Saint-Laurent, Saturday, October 5th, 2019, at 9PM. Tickets available right here.

Jinjer – Sunday, October 6th

If you’re a heavy metal fan, (and perhaps even if you believe you’re not) you won’t want to miss Jinjer this Sunday.

The Ukrainian progressive metal band is unsurpassed as such for several reasons that could be summed up by the following: the intricately woven quilt of different genres that are incorporated into their sound, the seamless way they shift between sounds, the fact that they’re a metal band with a female lead-singer (an unfortunate rarity in this world), and also just that Pisces will always make me emotional. 

Jinjer will perform at Corona Theatre, Sunday, October 6th, 2019 at 6:30PM. Tickets available through evenko.

Catch y’all on the flip side!

Are you or your band playing a show in Montreal? Let us know at music@forgetthebox.net. We’ll do our best to include you in an upcoming Shows This Week, but, of course, no promises.

“I’m getting too old for this shit!”

Steph, sometime in August 2019

That was my initial reaction when it was proposed I cover POP Montreal this year. I’ve been covering the festival for FTB on and off since 2010 and was confident after last year I was done.

My reluctance had nothing to do with POP Montreal itself by the way. If you read my early reviews, my love for the festival is clear. Instead, it had everything to do with the prospect of spending a week going to evening shows on the other side of town. This old lady needs her eight hours of sleep!

So, what are my thoughts on this year’s festival? While I am likely to hand off the reporting to younger bloggers in the future, of course I’m glad I attended.

For me, the festival has always been a great way to get out of my music rut and discover new up and coming artists before they hit it big. Arcade Fire played Pop Montreal in 2003 for instance, a year before the release of Funeral.

Since you don’t know any of the acts, you take a chance every time you walk into a POP Montreal show. But that’s the fun of it! Sometimes you strike gold, other times the show is terrible and you quickly move along to the next venue.

As in year’s past, I absolutely saw some terrible music… but we won’t focus on that. Instead, let’s dive into the artists who made Pop Montreal 2019 worth it.

What it really comes down to with POP Montreal is trusting venues in the Mile End/ Plateau will deliver the music goods. NYSSA from Toronto caught my attention during my initial research and holy moly am I glad that I saw her show at Casa Del Popolo.

This electro-glam rocker commanded your attention the moment she walked onto the stage with nothing but her vocal pedal and iPad. You might think that doesn’t sound like much, but let me tell you that girl had so much stage presence I was immediately hooked.

She absolutely deserves to become a very big thing, but we’ll have to see if the music gods deem it so. 

For day two I headed to O Patro Vys, interested in checking out another band I included in my preview, Basement Revolver. Sadly as the headliners of the evening, they were on long past my bedtime for a weeknight.

BUT the evening was not a loss because I was introduced to the joy that is Alex Dirk, aka the lead vocalist of the Winnepeg band Begonia. Part Adele, part Florence Welch, Dirk belted out the tunes with an intense passion that it was impossible not to be mesmerized. 

Day Three of the festival was when I saw all the aforementioned terrible bands this yearbut then I decided to try O Patro Vys again on a whim. The vibe was much different than the night before; calmer, much less packed.

Thankfully before my companions and I decided to call the night a total loss, Laura Carbone and her band came onto the stage. It’s a perfect example of why a small audience doesn’t necessarily mean a mediocre band; they were anything but! I was glad I got to be amongst the few in Montreal who got to see their set.

For my final night of POP Montreal 2019 (the festival is five days, but sadly I couldn’t make Sunday’s shows), I headed to The Rialto for a more low-key evening of folk-rock. Even if the bands are so-so it’s always a pleasure hanging out in The Rialto; thankfully the acts absolutely delivered.

The highlight of the night for me was Hollie Fullbrook, aka Tiny Ruins. While I was disappointed not to see this UK born New Zeland-based artist perform with her full band, she was still wonderful to see as a solo act. I highly encourage anyone into folk music to check her out.

So for what I assume will be my last ever POP Montreal post (lol I say that now, but who knows what next year will bring), let me end by imparting some wisdom to those who are thinking about attending this festival in the future:

The non-music portion of the festival can be interesting, but honestly rarely worth it. When it comes to the music it’s all good to do preliminary research, but more often than not you end up throwing that plan out the window as the festival goes on.

But EMBRACE the chaos! A festival like this is all about discovering something new, and more often than not you will love what you discover.

Featured image of Tiny Ruins by Adrien Gooding

Four days of Pop Montreal are now in the bag and the indie music storm has yet to subside. As usual the quest to see everything has been utterly futile with so many shows happening in short succession.

At this point we’ve given up on any type of schedule or plan and instead have resorted to wandering the show bars of the Mile End open to whatever indie rock/pop/hip hop we happen to encounter. We’ll have more live Tweets tonight and detailed reviews coming out next week once we catch our breath.

For now here are a few of the highlights from our wanderings:

Hollerado’s last show in Montreal was on Thursday night. Glad to be a part of it (Joe)

Featured image by Adrien Gooding

POP Montreal 2019 concludes tonight and we’ll be live tweeting. Also check out our full reviews and a photo post in the next few days

Pop Montreal starts tonight and as usual FTB has asked me to do the impossible and pick my choices for the best shows to go and see. If you take a peek at the schedule you’ll see that’s clearly impossible with so many bands playing in such a short period of time.

Here’s a few options that most caught my eye but even as I write this I’m seeing many more choices that I might like. I tried not to stick to one genre or type of show but I did stick to music only.

I will just briefly mention that there’s way more to Pop than just music, my other favourite part of the fest is Film Pop which has some really interesting movie screenings this weekend.

Ok, on to the music!

Blinker the Star

Not every band you see at Pop has to be fresh off their debut album. Veterans of the Indie rock scene Blinker the Star have been around since the 90s, which for some of you might feel like ancient times, but believe it or not they actually had good music way back then.

This isn’t however a pick for nostalgia’s sake, they have a new album out and it’s quite good. I’m interested to see how it will be performed live when they play at Petit Campus on September 26th.

Wolf Castle

I’ll admit my interest was initially peaked by the clever name reference but when I looked into it I didn’t find a fictional Austrian action star whose bit part has been an endearing part of a long running cartoon comedy series. Instead I found a young rapper, singer, producer who hails from Pabineau First Nation in New Brunswick.

I checked out his bandcamp and immediately got sucked in. Maybe you will too. If you do, he’s playing at La Sotterenea on the 26th.

Les Louanges

First of all, free show! Also worth noting: it’s at 4pm on Saturday (28th) and it’s outdoors at Skatepark du Mile-End. Those factors combined makes this one of my “family friendly” suggestions. It would also be a good choice as the opener for anyone who is planning to make it out on Saturday night.

I’ll let the music speak for itself but I will just add that I had a chance to catch the end of Les Louange’s set at Osheaga this year and I was very impressed. I’ll be sure to catch the whole thing this Saturday.

KOKOKO!

If you’re out on Wednesday night this is the show to end the evening with. Starting at 11pm at the Piccolo Rialto (with openers Mabika-Ki & Le Moovmnt Populaire Bantu and DOOMSQUAD) KOKOKO! will be bringing their mix of modern electronic music and lo-fi instruments to what is certain to be the best dance party of the night.

Proving that music can be made by just about anyone and with just about anything, this collective is known for making instruments out of items that you wouldn’t normally expect. Check out this live clip to see what I mean.

Blue Grass BBQ

The title is pretty self-explanatory. On Sunday afternoon from Noon till around 7 there will be a free (to get in) BBQ at Skatepark du Mile End. This is another great choice for those of you with kids or on a budget.

It features various bluegrass artists throughout the day. You can check out the Pop Website for specific band listings but it’s safe to say that at whatever point you show up you’ll be getting hear to free bluegrass music and relax outside. Not a bad combination!

POP Montreal 2019 runs until September 29th. For complete schedule and ticket info, check out popmontreal.com

It’s officially the last week of summer, but just because the sun is calling it quits a little earlier every evening doesn’t mean you should too! After all, you wouldn’t want to miss all of the amazing shows Montreal has in store for us this fall.

Stay updated on all the best shows happening each week, right here! And now for this week: 

Thursday, September 19th: The Struts

Rock fans get ready to roll because English glam rock band The Struts will be traveling to Montreal this week to perform as part of the tour for their second album Young & Dangerous. Released last October, it contains two of their lead singles: Body Talks and Primadonna Like Me.

Stylistically The Struts emulate a unique and modern twist on classic rock with a flamboyant 70’s/80’s flair to it. If that sounds at all like your cup of tea, catch them in the act this Thursday, the 19th, at Mtelus Theatre. 

Primadonna Like Me – The Struts

The Struts with Des Rocks play M Telus, 59 Saint-Catherine East, Thursday, September 18, 2019 at 8pm. Tickets available through MTelus

Friday, September 20th: Marie Davidson – Save the Last Dance for Me

Montreal musician Marie Davidson’s music is absolutely brimming with personality. Her style is minimalistic tech house with plenty of synth, drums, and often her own spoken words; at times laughing, singing, chanting, yelling, all coming together to create an absolutely haunting experience of sound.

She’s been touring internationally since the release of her fourth solo album, Working Class Woman, and now she’s back in Montreal to perform as part of the Red Bull Music Festival at Studio Notre Dame this Friday! The show will also include artists such as Afrodeutsche, Solitary Dancer, and more, and tickets are only $20, so don’t miss this opportunity to see what is sure to be a captivating experience. 

The Psychologist from Davidson’s most recent album, Working Class Woman

Red Bull Music Festival presents Marie Davidson: Save the Last Dance For Me at Studio Notre-Dame, 500 Alphonse D Roy, Friday, September 20 at 10pm. Tickets available through the Red Bull Music Festival

Friday, September 20: Big Shiny Tunes Vol. 6 – CJLO Funding Drive 2019 

Come support Concordia University’s one and only radio station for part of the CJLO FUNdrive 2019, celebrating near 20 years of being on air! 17 different Montreal bands will be covering 17 songs from the album Big Shiny Tunes 6, which, if you didn’t already know, is part of a series of rock albums released through MusiquePlus in Quebec in the late 90s.

The event will be taking place at La Vitrola, and will feature a variety of local talent, such as Summerled, Barnacle, and Jon Cohen Ex. Don’t miss the chance to support your local radio, and jam to all your favourite 90s rock throwbacks played by your favourite Montreal bands. 

Big Shiny Tunes 6 is at La Vitrola, 4602 boul St-Laurent, Friday, September 20 at 7:30pm. RSVP on the Facebook event page

Jon Cohen Ex gives us Baby Life

Friday, September 20th: Frankie Cosmos

New York band Frankie Cosmos, fronted by Greta Kline, is everything you could want from indie-folk as a genre. The songs are most often wistfully personal, and emotionally stirring, as if you were listening to the music equivalent of reading Kline’s own diary.

The combination of the seemingly simplistic but conscious lyrical manner along with Kline’s unobtrusive voice achieves a touching clarity in both sound and meaning. Be sure to catch the band at L’astral this Friday, but be prepared to feel some feelings you probably haven’t felt since high school.

  Frankie Cosmos gives you a haircut

Frankie Cosmos with Lina Tullgren and Locate S,1 plays L’Astral, 305 Sainte-Catherine West, Friday, September 20 at 8pm. Tickets available through Evenko

Monday, September 23rd: Mac DeMarco 

Oh Lizard Man, the nightmares you’ve caused…

Canadian singer and songwriter, Mac DeMarco, who is known for his soft psychedelic rock music, kooky personality, the gap between his two front teeth, and the song that will always send me into the depths of my feelings (see below), will be making an appearance at Mtelus on Monday.

Be there or DeMarco will come to your house dressed as the lizard man from his Nobody music video and sing you soft, haunting lullabies while you sleep. 

Sing it with me: alone again!

Mac Demarco with Dustin Wong and Takako Minekawa plays MTelus, 59 Saint-Catherine East, Monday, September 23 at 8pm. Tickets available through MTelus

Are you or your band playing a show in Montreal? Let Lillie know at music@forgetthebox.net. We’ll do our best to include you in an upcoming Shows This Week, but, of course, no promises.