Would You Bang Him? is a show with a funny premise. Hosted by the Nasty Show’s Bonnie McFarlane and her husband, Rich Vos, it is a mock game show in which a panel of female comedians assesses a group of male stand-up comedians and decide whether or not they’d have sex with them. It’s one of Off-JFL & Zoofest’s late-night offerings, and it is hilarious.

The panel of judges consisted of female comedians Marina Franklin, Beth Stelling, Emma Willman, and Carmen Lynch. In addition to the judges on the programming, they invite a young woman from the audience to participate, though the eloquence and humour of her questions to the contestants told me she might have been a plant.

Competing for the judges affections were Jak Knight, Jim Norton, Bobby Lee – who also hosted the Nasty Show, Big Jay Oakerson who also played the Nasty Show and Donnell Rawlings – who was also part of the Ethnic Show this year.

Donnell Rawlings

It should be said that none of these guys are classically bang-able and mostly average – some are older, some are heavier, and some could definitely use clean clothes and a shower.

They are not being judged on their appearance, but rather their personalities and ability to make the judges laugh, and every competitor is supremely talented in this regard.

Each comedian has five minutes to plead their case. Some, like Jim Norton, went the route of dark self-deprecation. Others, like Jak Knight and Big Jay Oakerson, opted to keep it raunchy with discussions of semen and cunnilingus.

Jak Knight

Bobby Lee’s material was uniquely Asian in flavor, tackling stereotypes in his five minutes. Donnell Rawlings was particularly notable not just because he turned around and went judge by judge, saying whether he thought they’d bang him before they gave their ruling, but also because he made the only Montreal joke and it was hilariously on point. Of the construction holiday he said:

“How you on vacation from a job you ain’t even finished?!

As hosts, McFarlane and Vos are adorable and funny. Though they were constantly ribbing on each other, you can tell there is real affection there not just for themselves, but also for many of the comedians both performing and on the panel. While the judges gave their votes and opinions on the men, McFarlane and Vos were always ready with a snarky comment. The first performer, Jim Norton, affectionately referred to them as “Dummy and Cher”.

Jim Norton

Would You Bang Him is not for everyone. If you’re the kind of guy who loves watching female beauty pageants but will have a trolling mantrum when women judge men, you should probably avoid this show.

If you were hoping any of the judges will actually bang the competitors at the end, you probably won’t like this show either. If you want to have laughs delivered in a unique format and are willing to stay awake for an eleven forty-five show, check this out. It’s fun!

I woke up this morning and saw my weather app tell me that there was going to be thunderstorms today. Luckily, that was a lie. Under the somewhat cloudy sky, the bands played on. My personal highlight of the day was Metalachi playing three Iron Maiden songs in a row in their unique “Heavy Metal Mariachi” style. (Interview with them coming soon.)

But of course today was also full of some ridiculously amazing headliners too. Slash, Anthrax, and Slayer! Honestly, if you weren’t see there to experience this in all its glory, you missed out!

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Banh Mi Pork Tacos from the Grumman 78 stand!

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Beast in Black at #HeavyMontreal2019

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@dirtyhoneyband at #HeavyMontreal2019

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Photos by Adrien G Photo

Michael Che is the first Just for Laughs Gala host, or at least the first host I’ve seen, to fully embrace all aspects of the job.

It’s not just having a solid standup set for the beginning, which he did. It’s also not just having the ability to riff on and with the audience, which he clearly did as well.

Introducing the other comics performing is something other hosts I’ve seen have treated as almost a throwaway emcee duty. Che, on the other hand, made his intros a solid part of the show.

Of course he did. Reading dry, witty one-liners off a teleprompter comfortably into the camera is pretty much his day job, or rather his close to midnight on Saturday job as a co-host of SNL’s Weekend Update.

My favorite joke of the night came during one of his intros:

“Our next comic comes from England, which is known for its alcoholism and Islamophobia. He should do great in Quebec.”

– Michael Che

There were other edgy gems in his intros and throughout his set There were also some solidly funny sets from the other comics performing last night.

Jessica Kirson was the standout for me. I’ve seen her perform before, but her inner monologue bits, seemingly a new edition to her act, narrating both what she and the audience were thinking of her set in real time, was some fourth-wall breaking hilarity.

Jay Pharoah, who closed out the evening, had the large audience laughing the whole time he was on stage. His bit about escaping unwanted advances in Greece was particularly good.

Fellow SNL alumn Fred Armisen was, um, interesting. A couple of short songs, a singalong, and that was it.

Fin Taylor, the aforementioned Brit, made some good points, and one really solid one, but, for the most part, I wasn’t really sure where he was coming from and where he would land and I’m still not sure.

Pete Holmes and Sam Jay delivered solid sets, as did fellow Canuncks Matt O’Brien and Phil Hanley. It was a night jam-packed with talent, as Che remarked at the beginning.

Also kudos to the warm up act/hype man whose name I don’t know. He started dancing in our row and decided to let his energy get everyone ready instead of jokes, as those would be forthcoming.

Heavy Montreal 2019 started off on one of the hottest Saturdays of the year so far. But the organizers were prepared, because there were water sprinklers literally everywhere to keep the metalheads cool. That being said, the amount of long-haired headbangers would probably also be enough for that. If you’ve ever stood in front of one such headbanger, you’ll know that their hair acts as a fan. Keep that in mind next time you attend a summer metal festival. (Or for tomorrow, if you’re already attending Heavy Montreal.)

Personally, my highlight of this Saturday was Evanescence. Amy Lee still rocks and the whole band knows how to get the crowd going. Ghost is up on the Heavy Stage as I type these words and they look… weird. I kind of get Rammstein like vibes from them? Really out there, dramatic, theatrical. Anyways, check below for all the good good Instagram content I created today. And be sure to check in tomorrow for even more Instagram content and some interviews. It’s gonna be great.

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Cancer Bats at #HeavyMontreal2019

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To say Trevor Noah has abundant energy would be an understatement. After four days of hosting The Daily Show he flew to Montreal and delivered over an hour of standup at the Bell Centre.

I’ll admit our hockey palace seems like an odd venue for a comedy show, but it worked. This one night only stop in Montreal at JFL was part of Noah’s Loud and Clear Tour and he came across, well, loud and clear.

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Trevor Noah about to take the stage at #jflmtl

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It’s not easy to fill such a large venue with only your personality, but Noah pulled it off flawlessly. Noah was, after all, a standup comedian before he was a TV host and noted political satirist and he clearly still knows to work a room, even an arena-sized one.

The current American President did make his way into the set, along with the expected yet appreciated Noah impression and our own Prime Minister showed up in the routine, too. Noah’s focus, though, was on social commentary as well as personal anecdotes and observations.

He started with observations on Montreal’s very French nature that the local crowd ate up and ended with a story of a bit of Trudeau-ing (his new word for cultural appropriation) he did at a restaurant in Scotland. Those were both solid bookends to the show, but his main theme came in the middle.

Using a personal story of a medical problem he had, Noah started talking about how women have things more difficult in ways men, for the most part don’t realize. He then went into the stigma surrounding periods and period blood and why it is total BS.

At one point, he called some in the audience out for hypocrisy for saying “ewww” when he brought up a story of him, as a child, holding his mother’s used tampon. He asked if they would have the same reaction if his father had a bleeding nose and he helped him out by holding his kleenex for a moment.

While he did challenge some of the audience and delighted others, everyone got what he was trying to say (forgive the repeated pun) loud and clear. And no one stopped laughing the whole show.

Just for Laughs continues through Sunday. Tickets at hahaha.com

Those who have checked out this year’s raucous edition of The Nasty Show will have any number of haunting/hilarious visuals replaying in their heads in the days that follow: Jessimae Peluso’s reenactment of how women spend their lives fighting off an endless barrage of dicks constantly rushing them from all angles…or perhaps host Bobby Lee using the mic stand to demonstrate why black guys masturbating have it easy. Truly, the show is an embarrassment of riche, but to truly get to know this year’s headliners, FTB asked them to offer a glimpse into the nasty experiences they won’t be sharing with Just For Laughs audiences. Their answers surprised us.

“It’s been a fucking nasty-ass year,” comedian CP admits, before narrowing in on why: “A bat shit through my sunroof while I was going through a tunnel, and it landed right on my hand. I don’t know if he timed it, but he shit right on my fucking hand. I play it back in my head and it’s like ‘Ahhhh!’”

“And I was driving at around 60!” he laughs. “It was a 60 shit. This was in LA. I immediately threw the shit out. The bat must have been smoking cigarettes and drinking Pabst Blue Ribbon beers.”

New York’s Andrew Schulz, meanwhile, didn’t need any assistance from nature to find himself in an unenviable position. “I got a hemorrhoid a while ago and I still have it. It’s bad – really bad. Length-wise, it’s about as big as the nailbed of my finger. It’s like a little bunny tail that was just hanging out of my asshole and I got it a couple of months ago, and it’s been with me since.

Now it’s slowly going back, but that’s the thing – they stay around forever or you’ve got to cut them off. What happened was there was a vein in there that actually hardened. It was intense. It’s absolutely horrible, I don’t recommend it to anybody and there’s really nothing they can do to get rid of it.”

He also offers this warning: contrary to popular belief, over-the-counter creams are not the be-all, end-all solutions they promise to be. “Dude, I was putting Preparation H on my ass and up my ass and all over! I had suppositories that I had to stuff up my ass, and I was doing that for about a month! Nothing works! It just a question of time…and avoiding spicy foods. I had to give up spice. It’s like a West Jet flight, bro: you don’t know when it’s getting off.”

For Bonnie McFarlane, however, the nastiest thing that comes to mind is the reaction female comedians can get when they take the stage to tell jokes. “You know when I started,” the Alberta native explains, “I’d be introduced and a lot of times men would just put their heads right down on the table.”

Thankfully, she notes, things are improving. “I feel like people now get excited to see a woman on the stage. People come up to me after shows and say thank you and that’s so nice. Any time you have somebody who’s not your typical straight white male comedian, it brings new people into the comedy clubs and then you’re sort of curating a new audience and it’s always pushing things forward. So I do think we’re progressing in a good way.”

Featured image ©2019 Benoit Rousseau, courtesy Just for Laughs

Be sure to check out Bobby Lee, Jessimae Peluso, Andrew Schulz, CP, Bonnie McFarlane and Big Jay Oakerson at The Nasty Show, tonight as part of the 2019 Just For Laughs festival. For more information call 514-845-2322 or visit hahaha.com

Adam Cayton-Holland is a comedian who endured something terrible. Shortly after his previous appearance at the Just for Laughs festival, he found that his sister Lydia, his best friend, had committed suicide.

A couple of weeks later while he was destroyed by grief, he and his friends sold their first pilot. He went to therapy and wrote a book called Tragedy Plus Time to help him process his grief. His Off-JFL Zoofest show, Happy Place, is a one-man show based loosely on his memoir.

Happy Place is a show that will make you uncomfortable. In it, Cayton-Holland has a frank discussion about suicide, mental illness, and grief. He talks about his upbringing in Denver, Colorado, his parents, and the unusual ticks he and his siblings have, or in Lydia’s case, had.

He talks openly about crying, about the depression he’s been through, and the therapy he went through to help him cope. It is as much a tribute to his sister as it is a step towards destigmatizing mental illness.

Every once in a while the show will veer off-topic from his family and his grief and tell a story or a fake statistic or make a snarky remark that hints at the comedian he used to be before tragedy struck. Though I was often laughing during the show, I found myself sniffling more than once.

You don’t feel like an audience member when you see this show, you feel like a friend letting another friend pour their heart out on stage. If I had one criticism, it’s that he describes depression as making the sufferer not realize how foolish and selfish they’re being, something that could exacerbate the shame often felt by people that are struggling with it.

Happy Place is not a typical Just for Laughs show. If you want to see a comedian on stage telling you jokes, look elsewhere. If you want something with a little more substance, something that will make you laugh and cry, something that uses comedy to destigmatize something horrific, check out Happy Place. It’s worth it.

Just for Laughs continues until July 28, tickets available through hahaha.com

While this was not technically a comedy show in the traditional sense, rather a promotional panel of writers and TV personalities, it still garnered laughs from the audience, mostly resulting from Jann Arden’s brash humour and witty jabs.

Going into their sophomore season on CTV, the group was at Just For Laughs to promote the show, share their process and discuss feminism in the industry. As season one ends, Jann was revealed as #1 New Canadian Series of the Year with 1.4 million viewers in the first week.

As an avid watcher of The Social on CTV, I was excited to see Cynthia Loyst’s, a host of the morning talk show, name on the roster for the event. Loyst was the host for the panel which included namesake Jann Arden, co-creator of Jann Jennica Harper and Leah Gauthier, writer for Jann.

I can also say that I am a fan of Arden’s, being a Canadian who grew up with female artists playing on repeat at home (thanks, mom). Along with many other Canadians, I have followed the success of many Canadian artists like Arden, and with a lot on her plate, she seems incredibly proud of her most recent endeavour: Jann.

The group discussed how the concept of the show began, and evolved, to include more and more real-life moments from Arden’s life, including her mother’s battle with dementia, and her career. “We call it the ‘tickle, tickle, punch’,” says Gauthier, agreeing that the sardonic nature of the show is increasingly popular to audiences.

In the writing room, which is happily outnumbered with women, is a collaborative space, according to the group. “We work really hard to include men,” jokes Arden, who says the sole male writer, Mike McPhaden, comes up with many of the best “girly” jokes for the show.

Harper confessed to working in other writers rooms that had been previously male-dominated, and sparked Arden to share the importance of mentoring other women, not letting your age limit you, and asking for what you want in your career.

When Loyst directed the audience to chime in with their own questions, they ranged from Arden’s take on the differences between the music and television industries, filming in Calgary and Canadianisms, to a sweet surprise when an audience member finished with “could you sing a little bit of Insensitive.”

This lead to Arden standing up, walking to their seat, creating a stir in the rest of the audience to begin taping as she serenaded in her signature and familiar voice amidst awe and giggles. Arden’s ability to connect with her audience and quick wit made the promotional panel feel like a fun conversation with a friend.

Check out Jann on CTV, season one is streaming on CTV.ca or CRAVE.

Just for Laughs continues until July 28, tickets available through hahaha.com

Heavy Montreal 2019 is right around the corner, so metalheads all around this beautiful Heavy Metal City™ that we call Montreal are trying to figure out which bands they want to see.

Slayer? Anthrax? Evanescence? Slash? Godsmack? Skillet? I mean sure, yeah, you can go watch the bands that we all know. But this loud festival is also the perfect opportunity to expand your horizons and get to know some local rockers. So without further ado, let me bring you that horizon.

Mountain Dust

White Bluffs by Mountain Dust

Mountain Dust is basically what would happen if Ennio Morricone was a rockstar. Vocalist Brendan Mainville tells some very cool stories that have ups and downs worthy of being made into Spaghetti Westerns of their own. The music rides the waves of these lyrics, ebbing and flowing between calm clean vibrato chords and violent riffs that’ll get you moving.

Mountain Dust will be playing July 28th at 1pm on the Monster Energy APOCALYPSE Stage

Junkowl

Sickness Lives by Junkowl

Despite having formed in 2017, Junkowl’s first album Ravenous comes out in Fall 2019. Still, they’ve made a name for themselves in the ol’ Heavy Metal City™ with their energetic performances. And you know they have what it takes, since they won this year’s En Route Vers Heavy and literally earned their spot to perform. So technically speaking, this is gonna be an award-winning performance!

Junkowl will be playing July 28th at 1pm on the Brasseur de Montréal GARDEN Stage

Dopethrone

Killdozer by Dopethrone

Dopethrone plays a unique Canadian genre they call slutch metal – in their words: “A foul Canadian mix of yellow snow, crackhead diarrhea, blood, tears and broken dreams.” Make of that what you will, but Dopethrone’s music is not for the faint of heart. They’re heavy, they’re angry, and there will be a heck ton of trashing.

Dopethrone will be playing July 28th, at 1:30pm on the Blabbermouth FOREST Stage.

The Great Sabatini

Still Life with Maggots by The Great Sabatini

I really like how The Great Sabatini describes themselves. “Our music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic. All four of us handle vocal duties. We play loud, and with conviction.” Thick riffs, loud vocals, and dare I say some funny themes? (Just look at the video above.) I’m looking forward to this one.

The Great Sabatini will be playing July 28th at 3:20pm on the Brasseur de Montréal GARDEN Stage

Despised Icon

Day of Mourning by Despised Icon

Despised Icon has only one objective: to absolutely melt your face off with speedy speedy riffs and explosive blast beats. Seriously, it’s ridiculous how fast drummer Alex Pelletier can go. This is the kind of metal all those naysayers think of when they say metal music is too violent. All the more reason to check them out, if you ask me.

Despised Icon will be playing July 28th at 2:40pm on the Black Label HEAVY Stage

Kataklysm

… And Then I Saw Blood by Kataklysm

We’re now getting into some more established bands. Kataklysm is a classic death metal band who has been around since 1991. Their latest album “Meditations” somewhat refreshes their sound, making it more melodic and… accessible, for the lack of a better word. All that is to say, whether this is the first time you’re hearing of this band or you’re a seasoned veteran, their Heavy Montreal performance is going to shred.

Kataklysm will be playing July 27th at 2:40pm on the Black Label HEAVY Stage.

Anonymus

La mèche est courte par Anonymus

Comme l’avait dit Rémy Belley aux commentaires de la video ci-dessus, “MÉTAL QUÉBÉCOIS TABARNAKK !!!” Mais seriously, Anonymus est le seul groupe dans cette liste qui chante en français. But of course, that’s not the only thing they have going for themselves. This 30 year-old thrash band still slaps. Their latest album “Sacrifices,” has everything that a thrash fan wants: speedy riffs, thick breakdowns, and melodic solos. Give’em a listen and then come check them out.

Anonymus will be playing July 27th at 2pm on the Monster Energy APOCALYPSE Stage

Heavy Montreal runs July 27th and 28th, tickets available through HeavyMontreal.com

Look for our coverage tomorrow and Sunday on social media and here on the site!

I had no idea what to expect when I walked into the Olympia theatre to see Steve-O: The Bucket List. Steve-O is mostly known for his work on the MTV stunt films and TV show, Jackass. The description said he’d be talking about stunts and showing us clips. It didn’t feel like the kind of thing you’d see at Just for Laughs, but it was that and a whole lot more.

It should be said that this show is not for the faint of heart. If you have issues with seeing feces, nudity, semen, pus, and excruciating pain, you might want to avoid it, but if you have a strong stomach and an open mind, you need to see this show.

Opening for Steve-O was Brad Williams, who’s been coming to Just for Laughs for years. Williams is a comedic powerhouse, a dwarf who is unafraid to make fun of himself and anything else.

True to the pattern in his comedy where he bitches about how he’s frequently mistaken for other famous dwarves, he came on stage announcing that he was NOT Wee Man, the dwarf from the Jackass series. The rest of his set was jokes about being married to a tall woman and the challenges it brings. It was a great intro.

When Steve-O took the stage my first thought was that he got old. He was clad in a plaid shirt and khakis – the clothing choice of middle aged men everywhere – and above his glasses he has a little gray about the temples. His hoarse voice proceeded to talk about getting older, proposing to his fiancé, and the challenge of what to do now that he’s in his forties.

Does he continue his ridiculous stunts or not? The show was about tackling his bucket list of crazy stunts he wants to do.

Before showing the video clip of every stunt, Steve-O tells the audience the tale of what inspired the stunt, the logistics involved, and any difficulties they ran into along the way.

The overall vibe you get from Steve-O is one of gratitude.  His storytelling is at once dramatic, engaging, and funny. He is self-deprecating and endearing and the video clips that follow his stories are every bit as hilariously absurd as he describes.

The stunts you will see include things like “Vasectomy Olympics”, which he attempts painful crotch torturing activities following his vasectomy, and “Skyjacking” in which he masturbates before skydiving nude.

One particularly hilarious stunt was when defecates into an electric fan. In the story preceding the video he describes how the stunt made him realize his fiancée was “the one”, as she was the only one who didn’t run when the stunt went awry. Though the show was graphically disgusting in many ways and I had to cover my eyes at least once, of all the Just for Laughs shows I’ve been to so far, it was at this one that I laughed the hardest.

That said, if you’re feeling brave see this show. You will laugh and cheer for Steve-O.

Just for Laughs continues until July 28, tickets available through hahaha.com

When I interviewed Ronny Chieng a few weeks ago, he told me his favourite comedy to perform was on things that annoy him, and that we would see examples of this in his Just for Laughs show.

He is on the tail-end of his Tone Issues tour, the name drawn from his wife’s criticism that he always sounds either sarcastic or angry when he speaks. That said, I was stoked to see his show, as I’ve been a fan of his since I saw him appear on the Australian web series, The Katering Show

Opening for Chieng was Anthony DeVito, who is also playing the Ethnic Show this year. His set was hilarious and endearing, and though some of his material was repeated from the Ethnic Show, some of the jokes I hadn’t heard before. Like his crack about his obsession with shows about odd animal friendships and how he’d like to see a human version. It was a great warm up, and a promise of things to come.

Ronny Chieng came on stage immaculately dressed in monochromatic pants and shoes, each and every hair in place, and launched right into his first rant about anti-vaxxers. In this show, no one was safe. He took the piss out of everyone from Baby Boomers to Millenials, White supremacists to even the lowly comedy show reviewer. On Baby Boomers, he pointed out that they’re a group who’s on their way out and is trying to take everything with them.

Though Chieng’s show was mostly angry in tone, it wasn’t all negative. His comedy shows an infinite respect for women, New Yorkers, and Asians. Many of his jokes about Asians in America and how they’re generally better at running things were repeated from his other shows, but there was enough fresh material to keep it interesting.

When I interviewed him, he explained that he tries to add nuance to Asian stereotypes or destroy them when possible. He did that and more, at once praising the desire of Asian people to keep things working no matter the circumstance, and pointing out the absurdity of Asian weddings. When speaking about women, he praised the meticulousness of those who take the birth control pill and pointed out that they don’t owe men anything.

The only joke that fell flat was a joke he made about the wage gap, but to Chieng’s credit, he admitted during the show that he probably shouldn’t have included it.

That said, Tone Issues isn’t for everyone. If you’re the kind of person who likes “happy” comedy and can’t handle a little negativity, Ronny Chieng isn’t the comedian for you. If you want to laugh your butt off at some of the most brutal social criticism you’ll ever hear, check it out!

Yeah, maybe summer 2019 has been a little mellow so far, but nothing lasts forever… and Montréal’s most kickin’ punk festival is finally back in town and ready to rumble for its third season, celebrating the last 40 plus years of punk rock.

The one-day punk festival, ’77 Montreal, will be going down for its third year in a row once again this Friday the 26th at Parc Jean-Drapeau, with headlining bands Bad Religion and Pennywise as well as many more.

Including an exciting mix of punk groups from far and wide, such as The Exploited all the way from the UK, to Wavves from California, to our very own Montreal punk rock bands like the Gutter Demons and Red Mass, who will all be featured at this year’s ’77 Montréal for a fully immersive punk rock festival experience. You can find the full lineup below.

’77 Montreal boasts an experience for all ages of punk rockers, with free entrance for kids 10 and under and a Kids Zone equipped with crafts, games, and a relaxation area. The festival will also bring out some of Montréal’s staple food and beer vendors, as well as a record and poster fair, the ‘Marché aux Punx’, to anyone looking to satisfy their nostalgic fix through vintage vinyl, posters, collectible items, and other exhibitions.

Dawn McSweeney, who covered the event for FTB last year, made a playlist for this year’s event to get you ready:

Take a sneak peak of what ’77 Montréal has waiting for you and check out this ’77 MTL 2019 Spotify Playlist!

Tickets are on sale on ’77 Montreal’s website for $77 plus tax, with a Gold Pass option available for $117. And for those of you who don’t wanna miss out on Montréal’s Heavy metal festival, you can also get the 3 day Weekend Warriors pass for only $225 which includes tickets to both festivals!

2019 Lineup: Bad Religion, Pennywise, Streetlight Manifesto, The Exploited, BIGWIG, Wavves, Four Year Strong, OFF!, Pulley, Cro-Mags, The Dirty Nil, The Menzingers, Charly Bliss, Avengers, Mute, Gutter Demons, SUDDEN IMPACT, Red Mass, The Anti-Queens, Young Party, The Lookout, and more to come

In April, the Montreal City Council officially dubbed it a “heavy metal city”. The whole thing seems to be City Councillor Craig Sauvé’s idea – or at the very least, it was Sauvé who brought this to the Council’s attention.

Sauvé’s motion basically says that Quebecois heavy metal – with Montreal at its center – is globally acknowledged for its quality and the liveliness of its local scene. 

As this year’s Heavy Montreal (formerly known as Heavy MTL) approaches, this whole Heavy Metal City™ thing got me thinking. First of all, what the heck does that even mean?

Well… As mentioned in Sauvé’s motion, Montreal has a very rich history of metal. So many great bands got their starts in our beloved city – or around it at least. Sauvé mentions Cryptopsy, Necrotic Mutation, and Despised Icon, but those are but a few examples. Voivod wasn’t included in that list because it’s technically from Jonquière, even though they are very active in the city to this day. On top of these more classic bands, you also got groups like Mountain Dust and The Great Sabatini, which keep the scene always fresh.

But you don’t get to be a Heavy Metal City™ by just producing good bands. You’ve also got to have a pumped up audience to get trashing. And oh boy do Montreal crowds trash. I’ve been to quite a few shows here and it’s always a treat. Sure, you pay to see the bands perform your favourite songs, but the true joy comes from experiencing it together with a bunch of long haired, black t-shirt wearing, sweaty people headbanging and jumping up and down. 

And also Metallica’s James Hetfield has said (among a thousand other people) that Montreal is his favourite city to play. Sure, he may say that a lot, but to say that about the place where you suffered serious burns on stage and then Axl Rose still got the headlines, that’s some serious love of our audiences.

That being said I’m just a young boy, so feel free to doubt my experience and expertise on this matter. But…Montreal was the home to North America’s first international heavy metal festival, aptly named World War III. 

I wasn’t even alive in 1985. But talking to Hellbound in 2010, “Toronto scene mainstay” Dave Busch was “blown away by such an incredible lineup.” You had Quebec’s Voivod, California’s Possessed, Florida’s Nasty Savage, Switzerland’s Celtic Frost, and Germany’s Destruction. 

And although the vibrancy of Montreal’s local scene is in a league of its own, it is this global, international side of things that makes me think that Montreal truly deserves this new-ish title. What was started in 1985 lives on today via Heavy Montreal.

I’ve been self-proclaiming as a Montrealer for only seven years, but I’ve been to every Heavy Montreal since 2012. And while I hate the commute to and from Parc Jean-Drapeau, I still end up at Heavy Montreal because they keep attracting great metal bands from all over the world.

Montreal doesn’t really need its City Council to officially dub it a Heavy Metal City™ to be one. The metalheads of this city already knew that. But there are still some benefits to this acknowledgment. 

Metal remains the so-called “black sheep” of music genres. It’s loud, in-your-face, and VioLEnt (whatever that means.) People have no trouble embracing genres like jazz or indie pop. Getting that official recognition might make it easier for the nay-sayers to get over themselves. 

One such nay-sayer was councillor Marvin Rotrand who was concerned that heavy metal is too ViOlEnt. I mean yes, but it’s not like a musical genre can be inherently evil. If anything, it’s like a pitbull. It might end up being bad at the hands of bad people. But like, let me enjoy my metal, I don’t do anything bad with it. Get over yourself. Listen to some Black Album Metallica and embrace this beautiful genre, like the city did.

Heavy Montreal 2019 is July 27-28 at Parc Jean-Drapeau. A preview of some of the acts to check out this year is coming soon

I had no idea what to expect when I walked in to She The People. Featuring an all female cast from Second City Toronto, it’s described by Just for Laughs as “a sketch show entirely created, designed, and performed by fearlessly funny women!”.

Sketch shows can often be hit or miss, with a couple of good skits and a ton of bad ones. When you add that to the mistaken belief that women aren’t funny, She the People has a lot to prove, and it does so spectacularly.

I knew this was feminist comedy going in, and I though I myself am a feminist, I was worried that it was going to consist of a slew of period jokes and rants about the patriarchy. She the People had that and more, tackling sexism, racism, rape culture, LGBTQI phobia, reproductive rights, and the pay gap and though I tried to find a serious flaw in this show, I found none. Every skit was funny, every actor made a mark, and every social criticism was hilarious, brutal, and on-point.

Whether it was the sketch about microwaving Lean Cuisine as a metaphor for the reproductive rights debate, or the skit in which the cast portrayed the women in ads, every joke was funny. One notable gag was when a cast member came on stage in a T-rex costume and pearls to talk about men who shame women for their clothing choices, though I have to admit that she could have gone on stage and praised Trump and I still would have giggled and said “T-rex costume!”

One of the best political jokes of the night was the ballet featuring cast members in masks of Canadian male politicians from Trudeau to Scheer to Ford, done appropriately to the song “Send in the Clowns”.

That said, whether you have doubts about whether women are funny, or simply want to laugh yourself silly, you need to see She The People. It doesn’t just smash the patriarchy, it’s a hilarious blow to the glass ceiling of comedy.

She the People is playing at the Centaur Theatre until July 27. Tickets available at hahaha.com.

While it might be cliché to say you didn’t know what to expect walking into a show, for me that was absolutely the case with Adam Conover’s Mind Parasites Live, currently playing in the Just for Laughs festival as part of OFF-JFL.

Was this going to be a live version of Adam Ruins Everything, the truTV show/series of videos Conover hosts, or were we in for a standup set? Turns out it was a little from Column A, a little from Column B, with some Column P, for parasites, thrown into the mix.

I’m talking parasites of the insect world on the screen behind Conover in all their nature documentary glory (good thing this wasn’t dinner theatre). He used a different one to jump into each of his three main themes: advertising, alcohol and the Internet.

His analogies worked, and made quite a bit of sense, in particular the one about the ant on the blade of grass. The tech, which amounted to Conover controlling the various slides and videos we saw on the screen with his phone, worked too, flawlessly.

As someone who has personally experienced casting to a TV from a phone and is left waiting, the seamless transition was impressive. I also liked how, unlike other comedians with multimedia elements to their shows, Conover didn’t have to rely on someone else to change the visuals.

This was a show with good tech and quite a bit of thought behind it that really succeeded in driving it’s points home, but was it also funny? Absolutely.

No, it wasn’t joke-a-minute standup, but Conover’s mix of information, analysis and personal anecdotes was the kind of comedy you could both laugh at and really think about. If the standing ovation at the end of Monday night’s show was any indication, Montreal audiences really get where Adam Conover is coming from and what he has to say.

Adam Ruins Everything presents Mind Parasites Live with Adam Conover runs through July 27th as part of OFF-JFL. Tickets available through hahaha.com.