Panelists Cat McCarthy and Der Kosmonaut discuss political art following the Trump victory and the legacy of the late, great Leonard Cohen with host Jason C. McLean.

News Roundup Topics: Pence at Hamilton, Montreal Police spying on journalists, historic building burned, Sarkozy losing power and the International Infringement Conference.

Panelists:

Cat McCarthy: Burlesque performer, artist and FTB contributor

Der Kosmonaut: Spoken word artist, author and blogger

Host: Jason C. McLean

Producers: Hannah Besseau (audio), Enzo Sabbagah (video)

Reports by Hannah Besseau

Recorded Sunday, November 20, 2016 in Montreal

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Microphone image: Ernest Duffoo / Flickr Creative Commons

You may have heard the term alt-right quite a bit lately. It has been everywhere ever since President-Elect Donald Trump appointed Steve Bannon to a senior adviser position. Bannon had bragged about turning Breitbart “News” into “a platform for the alt-right” when he was CEO of the website.

But just what is the alt-right? The easiest explanation is that it’s a new term for white nationalists, which is, itself, a whitewashed term for white supremacists. So basically racist, xenophobic, misogynistic, Islamophobic anti-Semites with suits and computer skills.

Of course, many in the alt-right movement argue vehemently that this is not the case. Bannon himself even told the Wall Street Journal last Friday that he has “zero tolerance for the anti-Semitic, racist elements of the alt-right.”

Bannon’s claim, though, is called into question by the headlines that appeared on Breitbart when he was in charge and completely debunked by what happened this weekend in Washington.

On Saturday, the National Policy Institute was holding its annual conference in the Ronald Regan Building. Most of the speeches were subdued, but after dinner, when most of the press had gone home, Richard B. Spencer, the man who had originally coined the term alt-right and is considered a leader of the movement, took the stage.

The Atlantic still had their camera rolling and caught a speech that began with Spencer shouting “Hail Trump!” and many in the crowd responding with Nazi salutes. Spencer also brought back the old Nazi term for media detractors “Lügenpresse” and applied it to the US media.

As if not subtle at all references to the Third Reich weren’t enough, Spencer also went on to defend racial inequality and suppression of minorities as some sort of right with complete ignorance of American history.

If you already know about racism in the so-called alt-right and what a Trump Presidency is bringing with it, you don’t need to watch this nastiness. If you know people who aren’t convinced, though, this video can be a real eye opener to what they really are supporting or brushing off:

In this podcast, panelists Ellana Blacher, Cem Ertekin and Vincent Simboli discuss for one last time the Presidential Elections happening in the US, the spoken word scene in Montréal, the Dakota Access Pipeline and more in our News Roundup segment. Plus the Community Calendar and Predictions!

Host: Jason C. McLean

Producer: Hannah Besseau
Production Assistant: Enzo Sabbagha

Panelists

Ellana Blacher aka Joy Low-Key: Spoken Word Artist and FTB Contributor

Vincent Simboli: FTB Contributor

Cem Ertekin: FTB Managing Editor

 

*US Election Report by Hannah Besseau

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Microphone image: Ernest Duffoo / Flickr Creative Commons

This podcast features panelists Mirna Djukic and Jimmy Zoubris discussing the new NDP back in Québec , Projet Montréal looking for a new leader, Trump’s latest remarks regarding women and more in our News Roundup segment. Plus the Community Calendar and Predictions!

Host: Jason C. McLean
Producer: Hannah Besseau
Production Assistant: Enzo Sabbagha

Panelists

Jimmy Zoubris: Projet Montreal VP and Business Owner

Mirna Djukic: FTB News Contributor

 

*NDP Report by Mirna Djukic

*Projet Montréal Report by Hannah Besseau

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Microphone image: Ernest Duffoo / Flickr Creative Commons

A lot has happened over the past few days concerning Montreal’s controversial Pit Bull Ban (officially the Animal Control Bylaw). On Monday, when the whole thing was supposed to go into effect, a judge issued a two day suspension.

Then, on Wednesday, Justice Louis Gouin of the Quebec Superior Court agreed with the SPCA’s lawyers and granted an indefinite suspension on the parts of the law dealing with “Pit Bull-Type Dogs” until a proper hearing can be held. The sections that affect other breeds of dog as well as other animals such as cats are still in effect.

Now, today, Montreal Mayor Denis Coderre dug in his heels and announced that the City of Montreal will be appealing the decision in a letter posted on his Facebook Page and the official city site. With no sign of Coderre backing down, and the courts waiting to rule, let’s take a look at just what this law entails:

The British vote to exit from the UK, better known as Brexit, which took place a few months ago, is admittedly quite a complex issue. Many have tried to explain it in terms of history , socio-economic conditions and politics, but none have tried to explain it with food. That is, until now.

With their new video How to Make Cucumber Sandwiches, Töad Meädow, a collective based outside Buffalo, New York, does just that. The group “wants to encourage people to become producers of artistic content, rather than rampant consumers” and with this video they’re doing just that.

It’s a funny, sometimes irreverant, take on Brexit, mixed in with a brief history of other places leaving the UK. There’s even a bit on the Levesque-era Quebec sovereignty movement.

The short film was directed by Damon Hudac and produced by Melissa Campbell, who also appears in it. They hope to “bring light to this enormously important world event,” according to a press statement:

“We would like many people to see and talk about it. Basically, through history, many countries have attempted to separate from the UK as well as many other groups separating from their larger oppressive controlers. This is a light hearted look with a very serious message.”

Also, you really should cut off the bread crust. Enjoy!

Forget The Box is proud to present the new video for Montreal troubadour Jesse Stone’s Whiskey Song.

Since leaving for New York Jesse Stone has played many clubs where the whiskey runs, but it’s nice to see that he still cares about his hometown as he releases another video performance from Montreal.

Whiskey Songs is a live performance video mostly using footage from the 2014 record launch at Sala Rossa (my review of the show).

Since Whiskey Song was not included in his last album, Break of Day which had an incredible list of songs. Could this possibly mean that a new album might be on it’s way? Only time will tell.

You get the Troubadour style of his live performance which really kind of articulates how well he performs live.

If you have seen Jesse Stone videos before, then you know that they’re usually rough cuts of shots. They document what it is like to be at one of Stone’s live shows, which I have always thought to be his strong suit.

Check out Whiskey Song:

Montreal band The Holds have already succeeded in bringing the blues to this city’s indie rock scene. Now, following the success of their self-titled EP launch at O Patro Vys, they are set to play Turbo Haus in St-Henri this Saturday, March 12th, but not before releasing a second music video.

While their first video for the song Can’t Go Back featured members of the band in a warehouse setting, their latest foray into the world of music video leaves the band on the audio track playing the song Say You’ll Be Mine. Meanwhile director Helene Ha chooses to focus the visuals on ballerina Anna Sementchouk performing in the middle of a deserted street, or maybe two deserted streets.

While the background is unmistakably Montreal throughout, I’m pretty sure that the first part takes place on the northern edge of McGill Campus while the second part was undeniably shot near the Jacques Cartier Bridge.

Regardless of whether I guessed right about the first part or not, the choice to shoot at night, the dark aesthetic and the way Sementchouk’s dancing mixes with The Holds’ music creates a very enticing tableau. Check it out yourself:

And check out The Holds with openers The Empty Yellers this Saturday at Turbo Haus, 5011 Notre Dame Ouest, 9:30pm, only six bucks!

During the first Democratic Debate a few months ago, all the candidates were asked a rather simple question: “Black Lives Matter or All Lives Matter?” The moderator called on Bernie Sanders first and the Senator answered simply “Black Lives Matter” before addressing the issue of racial injustice in America.

While Hillary Clinton spoke of racism as well, she dodged the actual question, perhaps afraid to attach herself to a protest movement that mainstream white America wasn’t sure about. Sanders had no problem throwing his support behind Black Lives Matter that night and he still doesn’t.

On Thursday, his campaign released their latest ad, though you wouldn’t know it was a Sanders ad (aside from the logo in the bottom-right of the screen) for the first two minutes and 37 seconds of the 3 minute and 56 second spot. For most of the ad, Erica Garner talks about her daughter, fighting racism, her father Eric Garner who was murdered by police and her work with Black Lives Matter.

This is a very powerful and moving ad and one which flips the script on standard campaign advertising, making it more about the story of the person supporting the candidate than the politician. It is also rather slick and clearly professionally produced. This ad wasn’t made on the cheap.

It has now become clear that the hefty amount of small donations pouring into the Sanders campaign are being put to good use. Even if Bernie doesn’t become president or even win the Democratic nomination (though I really hope he does both), he is helping to spread the Black Lives Matter message in a way that only a well-funded presidential campaign can.

Bernie is putting the issues and the message first. Maybe that’s why Garner says in the video “I think Bernie is a protester.”

Jeremy Corbyn, newly elected leader of the Labour Party in the UK, didn’t waste much time. A few hours after taking the helm of the once progressive force in British politics, Corbyn made his first public appearance, at a rally for Syrian refugees in Parliament Square.

Corbyn set a decidedly different tone than any of his recent predecessors, including Tony Blair, a man he wouldn’t mind see get charged for war crimes. In the speech, Corbyn talked about the reasons behind the refugee crisis in Syria and elsewhere, namely all the wars launched by governments like that of Great Britain, which he admitted he has seen happen in the British parliament.

What will this mean for Syrain refugees right now? Probably not much, David Cameron is still PM. What does this mean for the British Labour Party? A helluva lot. it looks like they have thrown off their Blairite ways and embraced a return to their past as a hope for their future.

Regardless, listen to the speech, it’s a real good one:

In what has to be one of the most fascinating must-watch pieces of television produced in the last little while, John Oliver interviews Edward Snowden in Russia for his HBO show Last Week Tonight and they end up talking dick pics. While that may seem like a waste to speak of something so trivial, it’s actually an attempt to contextualize the NSA spying program in a way that the “average” person who doesn’t know or care about the Snowden story can relate to, showing why they should be afraid of a wide-sweeping surveillance state.

This is actually part of a hilarious/informative (what has become the hallmark of Oliver’s show) segment on the upcoming renewal of the US Patriot Act. If you have the time, you should really watch the whole segment (33 mins), which you can below. But you can also skip ahead to the Snowden interview. it starts at 13:40

We invite you to check out the new video from original Canadian artist Amber out of Toronto. She also happens to be an FTB contributor. The song, Grave Robber, is from her new album Tall Tales, which you can listen to or download via her Bandcamp page.

The video, directed by Devon Stewart, was shot in Hamilton. It features some fun though creepy imagery (with a title like Grave Robber, how could it not), silhouettes, a complicated man and a very danceable tune courtesy of Amber. Enjoy!

Here’s the newest episode of the Jules & Lara show. This time, they’re making pasta – from scratch. That’s really commendable, honestly, so kudos J&L. And, to make it even better, they do it the proper ‘Italian’ way. Watch the video to see what we mean.

Also, Jules & Lara have recently launched a Kickstart project, which you can find here. They need the money to get themselves better equipments to make even better videos! Be a part of history, people.