I like the idea of the Nuit Blanche celebration. While the common view of the art space is that of a white, occasionally esoteric one, Nuit Blanche is fueled by the desire to turn that view around. The event has something to share with everyone. It truly encourages the celebration of culture, in an way that you can easily get amped up about. It promotes the arts – local and beyond, and encourages people to get outdoors and spend an evening on the town as pedestrians.

It’s easy to get caught up in the buzz of the night. The noise, excitement and energy vibrates around you and makes it hard keep focused. I got swallowed  by the bright lights, video projections and dance music. While I only managed to make it to three of the sites on my already very narrowed down list, the night was a success.

First Stop: Turn On a Dime hosted at Citizen Vintage.

IMG_2088
Collectif Beaux Enfants at Citizen Vintage

The performance was put on by the ten members of Collectif Beaux Enfants. The group sat in formal wear at the dinner table eating, chatting and watching the audience watch them through the window front. The group of ten seemed quite relaxed with one man lying on a bench as the others poked at their food on the table. The audience had access to headphones that fed through the microphones stationed inside the store.

I find the act of watching mundane actions somewhat fascinating. By turning a usual ritual into a spectacle, the viewer is allowed a brief moment into another persons behaviors. This aspect of performance is one that I enjoy watching being pushed and prodded. I found it slightly more enjoyable as I have my own neurotic tendencies when eating in public, so kudos to them!

Second Stop: The Postcard Project hosted by Gallery Co

Postcard Project at Gallery Co

This was Sarah Nesbitt’s second year of The Postcard Project. Last Saturday at Gallery Co people gathered around the benches and tables to chat and craft as a group. The stations were outfitted with glitter, glue, gems, magazines and all sorts of collaging material. The goal of the piece is to engage participants in social media “the old fashion way”.

There were also pre-designed postcards to be sent to Stephen Harper. In hopes of encouraging activism and taking a role in change. Others made cute mementos to share with friends for the sake of crafting. Sarah introduced me to one woman who was making and addressing a postcard for the very first time, definitely a curious moment to share.

Third Stop: Montreal En Lumiere

After having been running for two weeks, I finally made my way down to the site of Montreal En Lumiere. The site was busy and bright as expected. The line ups were too long to get into any of the art installations, but I enjoyed seeing people young and old celebrating. With a roller coaster, ice slide, live music, and installations it would be hard not to. I stayed for a bit of music and took take advantage of the opportunity to roast a sausage downtown.Slides at Montreal en Lumiere

After a long search and a failed attempt to get to my next event, I called it a night.My biggest complaint about Montreal’s Nuit Blanche is the early close. At the end of it all, I got to check out a few sites, enjoy projections and music with good people. Not much to complain about there. Despite a cold winter, this city never looks as fantastic as it does when it’s lit up and in a light snowfall.

So here’s the thing about getting older; after spending a week at the office the idea of standing in long lines and crowded venues filled with apathetic hipsters screams exhausting, not exciting. But as much as I’m having a weekend love affair with sweatpants and Netflix these days, there are certain nights where even this old lady knows she has no excuse not to drag her ass out of the house and go experience some culture. Nuit Blanche of course is one of those nights.

As I walked to my first venue of the evening, The Montreal Museum of Fine Art, I delighted in how pretty the snowy weather made everything look and thrilled that it wasn’t the same sub-artic temperatures as last year. As I waited in the dreaded line up to get into the museum I cursed the heavens and wondered why there couldn’t be one Nuit Blanche that wasn’t affected somehow by the weather.

While I couldn’t really blame some of my companions for deciding not to wait in a snowstorm, I’m glad some of the gang made it in. We wandered around the main lobby of the museum watching body painting and listening to a DJ. My companions and I were sad we couldn’t indulge in our fantasy of running around the permanent exhibitions at night, but then not surprisingly our spirits were quickly lifted when we realized they were giving out free beers.

image_galleryThe main attraction of going to the museum was the travelling exhibit, Peru: Kingdoms of the Sun and Moon. While everything in the exhibit was beautiful, my favorite part was definitely the pre-Columbian treasures. Standing in front of ancient crowns definitely brings out the Princess fantasies in a gal. The exhibit runs until June so you have plenty of time to check it out for yourself.

Our night of museum stops continued when we then headed to the Canadian Center for Architecture where there was a Pop Montreal showcase going on. This time the insane line up was too much for me so instead of checking out the music show, I wandered around enjoying the exhibits the museum had to offer. I’ll never regret that choice because while I was wandering around the museum I discovered the Karaoke room, where they were performing the last song of the night Shake Senora.  It was there where I experienced my very first spontaneous conga line, which snaked around the museum. It never ceases to amaze me how you can make the most careful plans in life and then out of nowhere you  have the most random and enjoyable experience instead.

While long line ups also prevented me from getting on the Ferris Wheel at the Quartier des Spectacles, we managed to find other fun like Arts Souterrain and standing on the main stage of Place des Arts. It was not my first time on that stage; I have stood on that stage as a child when my mother organized events there and then when I graduated university, but for me there’s still something magical about it. Standing on that large stage looking out at the crowd really makes me wish I could belt out some opera notes or be a piano progeny. If only…

 

nuit-blanche-festival-montreal-lumiereYet another winter festival is upon us! This week kicks off the 14th edition of Montréal En Lumière. From February 21st to March 3rd the city will be filled with theatre, music, dancing, and visual art programming, both indoor and outdoor! While many of the events are hosted indoors have ticket prices, the central outdoor site is free. Throughout Quartier des Spectacles there will be live performances, interactive art  installations, food and drink vendors and of course beautiful lights. In addition to the live entertainment and arts, Place des Festivales has a ferris wheel. There is also a cinematic dome that will screen films, as well as for performances by VJs and DJs providing eye and ear candy. The festivities run until eleven each evening (excluding Sunday).

The event ends with Montreal’s Nuit Blanche on March 2nd. This year will mark the tenth celebration of the all night art festival for Montreal. The downtown site of Montréal En Lumière will remain open until 3 a.m., but there is no lack of things to see. Programming for the event is city wide and has designated spots through quartiers de spectacle, old Montreal, the olympic park, the plateau and mile end, as well as art through the metro stations. There are shuttle buses  provided to get you to and from each happening. Do your best to plan the night accordingly as there’s lots of ground and lots of hours to cover! I’ve experienced Nuit Blanche in several major cities now and am looking forward to seeing how Montreal differs from the rest.

Watch for our complete Nuit Blance preview coming out soon!

 

Poor Young things

Poor Young things
Poor Young Things @ NXNE photo Chris Zacchia

So after the Rooftop BBQ we headed right down to The Horsetavern to see Poor Young Things, and the secret guest. Poor Young Things come from Thunder Bay, Ontario. They packed up their shit, and moved to Toronto without knowing anyone (via their website). I stumbled upon them about two months ago and was addicted to their song, “Blame It On The Good Times“. Maybe I could relate? Heh.

Anyway, they’ve been referred to as Tom Petty like, Canadian alternative rock, and after seeing them live I would definitely tag them as one of Canadian’s up-and-coming rock bands. Poor Young Things played to a pack venue, ripping into song after song, and charmingly chatting with the audience in front of them. They’ve got that catchy Canadian alternative sound running through their blood and pouring out in their music, and they give show-goers exactly what they want: a band you would pay to see again, and again.

Yukon Blonde
Yukon Blonde at NXNE – Photo Chris Zacchia

After Poor Young Things, came the surprise NXNE guest…and who was it? Yukon Blonde. I was complaining from Thursday to Saturday because Yukon Blonde wasn’t listed. Seriously, pretty sure Chris was super annoyed with me. Anyway! Yukon Blonde played a mix of tracks off their various albums, including my favourite, Brides Song (album, Yukon Blonde) and Stairway (album, Tiger Talk). They even got their friends from the Wooden Sky to join them, and had numerous females gushing over them as they played. By the time they finished up The Horseshoe Tavern was more packed and hot than a bag of microwave popcorn. It was pretty intense. So we bounced and headed to the westside.

twitter gong show
Twitter Gong Show @ NXNE – Photo Chris Zacchia

Instead of heading straight to another music show, we spiced it up and hit up the Twitter Gong Show at LOT 100 on Ossington. The Twitter Gong Show is a comedy skit that features live comedians, who then get picked on by crowd as they live tweet their opinions and jokes about the comedian on stage using the hashtag #twittergong. Oh, and they pick on you too. It wasn’t a packed house, but almost every person there was interacting with the live twitter feed…including Chris and I. Of course, I went ahead and started picking on the host because he said my name wrong. Which resulted in me being heckled for the whole event. This concept is genius. More people should have their live twitter feed…everyone loves to see their face online.

Country @ NXNE - Photo Chris Zacchia
Country @ NXNE – Photo Chris Zacchia

After the Twitter Gong Show we ended up at another Pop Montreal Showcase where Country was performing. Country is a weird dream to watch. Their show included smoke machines, dark lights, neon lighting, and an odd awkward feeling. But it was amazing! They’ll be playing again in Montreal soon. Be sure to check em out.

Bleached at NXNE

M for montreal boatOn our last day exploring NXNE we ventured to the M for Montreal Bruise Cruise, ended up at a rooftop BBQ at a hostel, then ran around the city watching band after band. To make this easy and fun for you, we’ve broken the coverage up into two parts: NXNE day and NXNE night for June 16. Oh, small side note… One thing about watching so many bands is that after a while it all becomes pretty blurred. Especially if they all sound alike. Lucky enough for us this wasn’t the case with the bands we saw on Saturday.

So let’s get started with daytime coverage!

Saturday, June 16 DAYTIME started with the M for Montreal boat cruise. This was my first M for Montreal boat cruise, so I wasn’t sure what to expect. We got there just in time, boarded and headed to get a beer. What more could you want on a hot sunny day during a music festival? Seriously dude, so needed. The line-up for the boat cruise included some of the same bands from the Pop Montreal Showcase from Friday night (BLEACHED and Hooded Fang), so I wasn’t as stoked about seeing them again, but instead talked with some of the showgoers about their NXNE experiences. I’ll talk about these conversations in the NXNE festival review. I did meet this guy who actually dished me some dirty details about Avril Lavigne – remember her? Gotta love first-hand celebrity gossip.

Bleached at NXNE
Bleached at NXNE on M for Montreal Bruise Cruise – Photo Chris Zacchia

Back to the boat music… BLEACHED was the highlight for the boat showgoers. When they took stage, the boat show area was packed with dancing, semi-drunk BLEACHED fans. Personally, I’m not a huge fan of BLEACHED, but they definitely get the kids all pumped up.

While I was mingling we came across these wicked guys from Wales who play in horn-rock band called, The Roseville Band. They where in town for NXNE and invited us to a BBQ and rooftop show at the hostel they were staying at, Planet Traveler. So of course after spending four hours off land, it would only be natural to go from water to a rooftop.

By the time we finally got off the cruise, made a stop at the LCBO, and found the hostel. The Roseville Band had already played. Super bummed. I was so stoked to see them. But, c’est la vie of running around from show to show. So when shit like this happens, you gotta rely on soundcloud.

We did get to see some rooftop jams however as Mushy Callahan played next.The band is composed of 4 brothers and has an Indie alternative sound. They entertained us as the guests smoozed, drank and were treated to free BBQ fair.

Mushy Callahan
Mushy Callahan @ Planet Traveler photo Chris Zacchia

Well that’s what happened, and who we saw, what we did for daytime. NXNE during the day can be a hit or miss. But there is one thing that’s always confirmed (usually) about daytime events – you get to meet lots of new friends that you’ll remember later on during the nighttime!

What can you expect for the night? How about Poor Young Things, Yukon Blonde, Twitter Gong Show, another Pop Montreal Showcase featuring Country and some sweet DJing at the Drake Hotel.

Begging for an autograph on the $5 demo she purchased a few seconds ago, the attractive concert attendee broke her revering gaze on the members of Half Moon Run for several precious seconds to ask me if I knew their names. I inquired which one, and in a sultry tone, she let me know that it didn’t matter because they were all sexy.
But thirty minutes ago, she, along with the dozens of other converted groupies, had no idea Half Moon Run existed. And one day earlier, neither did I, sort of…

The night before the show (at OUMF Festival), through guitarist/keyboardist/back up vocalist Conner Molander, I arranged an interview / rehearsal sit-in with the band at their jam space. The space is situated in a particularly sketchy neighborhood (an unsupervised naked child strolled by) and doubles as a venue / illegal party space whenever it’s not shut down by law enforcement, so I offered a precautionary farewell to my bike as I locked it to a post outside.

The three-piece met me on the sidewalk, answered an onslaught of questions, and then took me inside to digest all the biographical information while they ran through their set for the following day. All of them barefoot, Dylan (Phillips: drummer/keyboardist/back up vocalist) shirtless, and Devon (Dunn-Portielje: Lead singer/guitarist) slightly drunk off Tecate, the atmosphere leaned towards casual. But the intensity on their respective instruments was unwavering.

Originally a 5-piece, Half Moon Run lost two members and shuffled their entire sound around. Due to the lack of manpower, they went exclusively folk and have grown progressively more dimensional since, with each member performing two or three duties at once (especially Dylan who somehow manages to play synthesizer, drums, and back-up vocals all at once). Unfortunately, inviting a new member in to help is out of the question, because in Devon’s words, “We’re too deep down the rabbit hole.”

In the overheated practice room, the trio methodically played their brand of indie/folk/electronic (imagine a younger Fleet Foxes, Grizzly Bear, and Radiohead supergroup) and discussed possible alterations between already-perfected songs. Their obsessive nature and flawless precision were spot-on for clear reasons. Forty hours of practice a week, constant refinement on technique and music theory, and the sacrifice of any social life have made Half Moon Run the band they are now. They all work part-time jobs just to pay the rent and maintain the beer supply. None of the three have held an intimate relationship in years, all have lost friends, and two have dropped out of school.
This is dedication.

Their tiring efforts have taken a toll, especially on Devon, who is noticeably exhausted and ready for the future. Not to say that Half Moon Run concern themselves with success, rather, little emphasis is put on getting their name out. Instead, they allow their shows to speak and in most cases, that’s all it takes to win over new fans (though concert attendance is limited, as they recall their largest previous show topping off at 250, while most don’t surpass a few dozen). As Devon’s near-falsetto and entirely-agonized voice cries, “the needle in your skin brings you closer to God” on the closing-credits-worthy track Full Circle, I remember the uncertainty about Half Moon Run’s future Hafffhe exposed earlier. “I doubt it frequently. But at this point, there are no better options.” Those words kept running through my mind and even now, I don’t know if they’ve fully sink in.

Check out part 2 of Half Moon Run’s story.

Photo from: www.krdesignphoto.com

Zoofest is back for the third year running, carrying in its large clownish arms an assorted mash of comedy, music, satire and performance. It’s the crazier, slightly cooler little cousin of the Just for Laughs festival and looks to be even bigger and busier than before.

The idea for Zoofest was originally conceived by Gilbert Rozon, founder of Just for Laughs, who traveled the world’s festival circuit for 25 years, examining different approaches to making festivals. Amalgamating everything eclectic he had learned, Rozon created Zoofest.

The festival is a diverse bi-lingual event, and attracts not just Canadian and French-Canadian performers but American and European ones too. There are no strict rules or genres, Zoofest tries it’s hardest to give a broad spectrum of artists the chance to be seen and/or heard.

However not all acts are considered underground and the lineup this year contains some pretty big names as far as comedy is concerned. Hannibal Buress (writer for 30 Rock) returns this year after last years highly successful Zoofest performance. Coming across the water to perform is English comedy star Russell Howard (Mock the Week) bringing with him his energetic British humor.

Canadian comedy award nominee DeAnne Smith is performing her new show About Freakin Time in Underworld starting the 21st of July. This Barry award nominated piece looks to be both intriguing and witty and is definitely worth checking out. Another show which promises to be interesting is Paul F. Thompkins’ show Life’s Works which is a candid comedic recounting of his journey through his formative years.

Ventriloquist Nina Conti

Outside of “straight-forward” comedy, there are buckets of experimental and unique performance and music shows. Other People’s Problems is a performance based on the predatory and manipulative nature of self-help mediums. Ventriloquist Nina Conti demonstrates her technical prowess and witty dialogue with her show Talk to the Hand.

Meschiya Lake and the Little Big Horns bring their New Orleans brand of stylish soulful music to Café Cleopatra and this is definitely one of the many music acts you don’t want to miss.

I could continue listing artists but there is simply too much going on to give a fair taster of the festival as a whole. I’ve never felt more justified in saying “there’s something for everyone”. Check out the lineup on the Zoofest website and see what tickles your ribs.

The advantage of a festival that shoots for a fringe-esque feel is that the admission prices are kept as low as possible to allow for the greatest possible accessibility. Ticket prices to Zoofest events are relatively affordable (averaging about 20 bucks a show) and even cheaper if you plan on seeing a lot, in which case an All Show Pass would be worth the 39 bucks they’re asking. It really seems like a festival that likes being chummy with its audience.

Taking into account the festival’s growth from 13,000 spectators in ’09 to 30,000 in ’10, it’s safe to say that this years festival is a pretty big deal. It runs from the 9th of July until the 31st which is pretty telling of the scope of Zoofest. If the trend of growth continues from last year then this time around the festival will be madder as ever.

Check out the Zoofest website for more information

FTB is proud to bring you another piece from The Rover, a site dedicated to Montreal arts and culture. This post comes to us from their Festival City series. Expect more festival coverage from The Rover and Forget The Box as well this summer in Festi-Ville.

 

by Shawn Katz
26.05.2011

Chance, it seems, is everywhere we look. It is the unknowable force that governs all our lives: the guardian angel that correctively cradles us when our designs go awry, or the mischievous troll that wreaks havoc with our best-laid plans. But what, in the end, is it, this ‘chance’?

For this seventh edition of the Biennale de Montréal (or the BNL MTL 2011, under its more branché moniker), curators Claude Gosselin and David Liss invite us to explore this most omnipresent, omnipotent of forces, offering us a multitude of lenses, from the visual arts to electronic arts to installation and video, and more. The theme of the show, entitled Elements of Chance, is drawn from Stéphane Mallarmé’s seminal 1897 work, Un coup de dés jamais n’abolira le hasard (“A throw of the dice will never abolish chance”), in which the French poet muses that “all thought expresses a throw of the dice.”

Happily, the same can’t quite be said about the organization of this show. Its curatorial design, in fact, is exceptionally cohesive, and while approached from a wondrous array of angles and artistic mediums, an impressive faithfulness to theme is nonetheless present throughout the exhibit.

None of which, it seems, is enough to put a smile on the face of the affable Claude Gosselin these days, founder and co-curator of this seventh Biennale. It was a discouraged and defeated M. Gosselin I reached on the phone on Tuesday afternoon, with the sounds of a man grown tired and weary of long wars in the trenches though holding firm, in his own humble manner, to the nobility of his cause. After fourteen years of bureaucratic wrangling with funding organizations like the Canada Council for the Arts, of struggling to rally competing organizations around a unifying project, and of a media establishment interested more, in Gosselin’s view, with nitpicking the shows’ logistical flaws than in the calibre of the art presented, the Biennale de Montréal still struggles to pierce through the noise, its funding and with it, its future left dangling in the void.

It’s a shame that it has come to this. The BNL MTL 2011 is a formidable show, one every bit the equal, if not superior, to shows presented with budgets many magnitudes larger, whether at the Musée des beaux arts (MBA), the Musée d’art contemporain (MAC), or other such venues benefitting from major establishment backing. The smaller size and inferior edifice aside both directly attributed to the BNL’s lack of adequate financial and institutional support the artworks themselves offer an enticing and inspiring view of the cutting edge of Canadian and international art.

From beginning to end of the show, visitors are confronted with a multisensory and multilevel exploration of the role of chance both in our lives and in artistic creation, with the two often mutually reinforcing. In one notable work by Montreal artist Jean Dubois, key concepts taken from works by Jacques Derrida and Gilles Deleuze are randomly disjointed and sprayed in light across the walls, with visitors invited to blow on a device at the centre of the darkened room in order to propel the projections. With other installation works, we are challenged to make sense of apparently senseless arrangements and structures; with video works, often designed around random algorithms, we are forced to confront the cruelties of fate, or the senselessness of suffering. And therein lies one of the greatest successes of this year’s Biennale: its consistency and strength across a wide breadth of mediums. From sculpture to e-art to video and everything in between, this stimulating and innovative encounter is sure to unravel more enigmas than it solves; itself a testament to the Biennale’s success.

And yet despite such a curatorial triumph, M. Gosselin readily admits: the BNL MTL has failed to rally Montrealers, and its scope, as a result, remains quite limited when compared to the world’s great standard-bearers, from Venice to Sao Paolo to Shanghai and others. So who is to blame?

In other cities, Biennales are organized by large cultural institutions such as museums or regional agencies, not tiny independent entities like Gosselin’s own Centre international d’art contemporain (CIAC) which organizes it here. And in fact, when Gosselin launched his project in 1998, he approached the MAC to see if they could work together. He soon found instead that the MAC preferred “dividing to be king of a little village” than to work together around a unifying project. The MAC, once headed by Gosselin while it was still run out of the Québec government’s Ministère de la Culture, eventually went on to found its own Triennale québécoise in 2008, definitively opting for competition over cooperation (Gosselin’s Montreal Biennale is 50% pan-Canadian and 50% international artists). As for the MBA, Gosselin says they have been generally more receptive to cooperation, but logistical wrangling always came in the way.

This is Claude Gosselin’s final year at the head of the Biennale, and whether someone will be there to carry the torch is anyone’s guess. Gosselin of course hopes the good work will carry on, but after fourteen years, he simply has nothing left to give.

The future of the Montreal Biennale is hanging in the balance. We owe this city better than to simply leave it to chance.

The BNL MTL 2011 is on exhibition at the former École des beaux arts on St-Urbain street until May 31st. Visit their website here: http://www.biennalemontreal.org
Photo: 1000 Catastrophes by Lois Andison

http://www.marriedtothesea.com/062307/local-music-rules.gifWe’re going Loco. I’m already pretty loco, but, that’s not the point. We Heart Music is going local and under the radar. Starting November 17th, 2010 and ending December 17th, 2010 (my birthday!), we’re going to be doing a special month-long edition dedicated to local and under the radar artists in Montreal and Brooklyn. Let’s get Loco!

Let’s get Loco! is about focusing our eyes to see what’s right in front us (3D picture included) innovative and unique local music. We want to give those deserving, hardworking Montreal and Brooklyn based artists the exposure and press they need. We’re going to be giving you the down-low about what’s going on in your backyard bars, the neighbourhoods you should be visiting for great music, and bands you may have overlooked due to the influx of big names and big game.

I bet you have a lot of questions. Well, this isn’t just about vegetables and farmers (I hope you’re a little wiser than that assumption about “local”). First question: why am I doing this and why should you care? Because… copious amounts of bands pass through our cities every week and this can be overwhelming, leaving you playing a guessing game of eanie-meanie-minie-moe (what a time killer). Don’t get me wrong, that’s a great method for picking a show, but we’re here to help. Plus, pointing isn’t very polite.

http://www.graphicdirt.com/tag/brooklyn/

Second question: why Brooklyn? Well, other than being a super fucking cool place and centre of hip, up-and-coming bands,
we had a new writer join our We Heart Music team. Steve Ferrara, a Brooklyn based musician, offered to give his time and ears
to our section to help promote his neighbourhood scene. We also want you to know what’s up down below (…wait, that sounds bad).

So, let’s get to the goods…

To get you, I and our Facebook friends excited, we’re going to kick-off this special month-long edition with M for Montreal. M for Montreal is celebrating its fifth birthday as the foundation of the alternative music movement in Montreal and beyond. This festival has caught the attention of various critics all over the world. Artists such as Patrick Watson, Malajube and CÅ“ur de Pirate, have all benefited from M for Montreal. It’s always been a known fact that Montreal is the culture and arts hub of Canada (and Brooklyn is our brother who always had the best table manners). So, it was just a matter of time that a festival, such as M for Montreal, came along. And it was also just a matter of time a great Brooklyn writer joined our team to give you the dish on their scene.

Because I like to make things easy for you, here’s the complete M for Montreal line-up.

If you hard-pressed to figure out which bands you really want to see because of lack of funds or time, here’s what I would suggest: Valleys, Random Recipe and Pascale Picard. Awhhh shit, I’m trying to expand our minds. I hope you’re willing to leave your snowsuit behind and jump outside your comfort zone (exposure is one of the best forms of self-education darling…).

On the other side of the table (or across the border) here’s some of the bands you‘ll be getting to know:

…and that’s just what we’ve got in pen.

In the coming days you can expect: artist profiles, M for Montreal   and Brooklyn show reviews, and listings of artists, venues and places to get cheap drinks. We want you to have the social life you deserve (all while warming your heart with music). Oh yes, and it’ll help you be the hot child in the city (hot child in the city/ hot child in the city/ runnin’ wild and lookin’ pretty).

Oh…it doesn’t end there dear readers. What if you’re an artist and you need some sweet, interesting and fun coverage? Well my friend, open your email, put Steve or my email address in (location dependent) and get at us via this crazy thing called the in-ter-net….

Get @ me: cassie@forgetthebox.net
Get @ Steve: steveferrara@gmail.com

We want your help, because the only way this will benefit our local artists (and your rent) is if you play true-telephone and pass the word along to your friends or bands you know. SPREAD THE WORD and let’s all get loco!

Cool beans. Stay in-tune and see you soon.