Happy February everyone! If winter’s getting you down then we have a few show suggestions that might warm you up.

Drive-By Truckers

Nothing gets the blood boiling more nowadays than thinking about politics. For those with a political bent we suggest you head over to Théâtre Corona on Tuesday and check out Southern Rock band Drive-By Truckers who’ve been touring and releasing albums for over twenty years without ever backing down from calling it the way they see it.

Their latest album American Band, their most politically charged to date, was released last September before any votes had even been cast in the U.S election. Listening to it now, some of the tracks seem almost prophetic in their outlook and even more relevant then when they were originally released.

Drive-By Truckers play Théâtre Corona, 2490 Notre-Dame West, Tuesday, February 7th, 8:00pm (Doors at 7:00), $37 in advance through box office, $42 at the door.

 

Rock Around the Clock with The Black Moon Boys

On Saturday night the good people of  Jive Studios are hosting a 50s dance party over at La Sala Rossa. On hand to provide the live entertainment will be Montreal based rockabilly band The Black Moon Boys who are a ready to get everyone jumpin’ and jivin’.

What’s more, if you’re interested but not the best dancer they’re offering two courses (rockabilly jive at 8:30pm or boogie-woogie at 9:00pm) to help you get some moves. This is certainly one fun way to get the blood flowing and keep warm on a cold winter night.

The Black Moon Boys play La Sala Rossa, 4848 boul. Saint-Laurent, Saturday, February 4th, 8:00pm, $15 at the door.

 

Priests + Snail Mail + Fred Thomas

Monday night head down to Casa del Popolo to catch Washington, DC-based punk band Priests. With a very 90s riot grrrl sound, you`re sure to sweat away some of that winter cold.

Baltimore`s Snail Mail and Montreal-based rocker Fred Thomas will open. $1 off every ticket sold will go to the Plus 1 Foundation which aims to raise awareness of the educational challenges faced by communities.

Priests with Snail Mail and Fred Thomas play Casa del Popolo, 4873 boul. Saint-Laurent, Monday, February 6th, 9:30pm, $16 at the door

* Featured image of Drive-By Truckers via NPR

* Know a band or an artist that should be featured in Shows This Week? Maybe a show FTB should cover, too? Let us know at music@forgetthebox.net. We can’t be everywhere and can’t write about everything, but we do our best!

The Salon de L’Amour et de la Séduction aka The Everything to Do with Sex Show is Montreal’s annual sex show. The show is dedicated to being “the innovative force behind spreading openness and appreciation for all the different facets of romance, sexuality, and self-improvement.” The event is part trade show, is part performance show, and part lecture series.

The message is of the show is one of sex positivity. If you’re a self-professed prude and/or thinks that the free expression of consensual sexuality is evil, wrong, or shameful, stay away.

This show is not for you.

If you’re out to have some fun, get some sex toys or lingerie at discounted prices, and maybe see a show, the Salon is a must see. It features top burlesque acts and strippers and a kink corner where people are invited to explore and learn about alternate forms of sexuality.

The show is 18+, no exceptions, not even for babies, though given the loud noises and constant flurry of activity, the rule is understandable. The dress code is “Dress to Impress” and people are welcome to wear latex, leather, or lace. Though in Canada you are allowed to go topless, organizers ask that attendees keep their crotches covered.

In a curtained off corner of the space, there are seminars by sexperts such as Dr. Laurie Betito, a clinical psychologist specializing in sex therapy who has a radio show on CJAD about sex and relationships. She is also works with the Sexual Health Network of Quebec.

The Sexual Health Network of Quebec was one of the many sex positive nonprofit groups present at the show. The Network is an organization that believes that choices about sex are best made freely through education and provide free sex ed to youth in Montreal schools.

At the booth, they gave away condoms and sold T-shirts, bullet vibrators and flavored massage candles in support of their cause. When I spoke to one of their volunteers she told me that the election of Cheeto-Head in the US had not only increased donations to American nonprofits like Planned Parenthood, but also to groups like the Sexual Health Network, a public acknowledgment of their contribution to society’s sexual health.

Another non-profit at the show was the Alternate Lifestyles Community Center, an organization devoted to education, information, and support for alternative and marginalized sexual communities. As one of their volunteers put it, the organization acknowledges that we’re all fucked up and that it’s time to accept and work with it.

Photo by Chris Zacchia (Salon de l’amour 2011)

As the group was among many representing the kink community at the show, I asked the volunteer – Stephanie – what they thought of Fifty Shades of Grey. “It’s abuse,” she said.

On the one hand, she told me the books brought many people into the kink community who would not have explored that side of their sexuality. On the other hand the book gave these newbies an inaccurate notion of what kink is all about.

In the kink demonstrations held at the show, you saw the dominant constantly checking with the submissive, making sure she’s alright and is consenting to what’s being done to her. As Stephanie pointed out, in Fifty Shades of Grey the protagonist says No and uses her safe word but the dominant keeps going.

This is a violation of the rules of BDSM play which actually give the submissive control over what is happening. It is the dominant’s responsibility to take care of the sub and make sure they are ok with what is happening during a play session, also called a scene.

I asked the Stephanie whether BDSM contracts are necessary for play. The notion of having to have a contract for sex play sounds like a buzzkill and she agreed, partly due to the implications of calling it a contract. In their workshops on BDSM, the Center calls agreements about acceptable play negotiations, for calling it a contract suggests that violations would be enforceable in a court of law, which they usually aren’t.

Though many go to the Salon for information and to see a show, many go for the shopping. The Salon showcases vendors of sex toys, lingerie, and adult films, with business owners providing insights into their industries and the challenges they face.

Annick Samson and Jessica Filion are the proprietors of Vices & Caprices, a sex shop in Blainville that also sells online. Though their shop is new, they are already facing persecution from the City, which is claiming that their space in an 18+ tanning salon has not been zoned for their type of business.

There was also concern about exposing their products to children when neither their business nor the tanning salon permits underage customers. As it turns out, the complaint was not filed by parents or clergy, but by their competitor who is trying to force them out of business.

Another vendor at the show was Vid Vicious, an adult film director whose business card features the motto: “Keep Calm and Watch Porn!”

Vicious’ impressive resume includes films and Season 2 of Porn Star Academy, a French language reality TV show where competitors compete to become an adult film star.

I asked Vid about the status of the porn industry in Quebec and he said that it’s dying because Quebec consumers prefer American films over locally made ones. Vid also expressed frustrations about the illegal sharing of his films, saying that within a week of his movies coming out someone will have uploaded a copy onto a free site. When I asked how strictly copyright rules are enforced here, he spoke of the difficulties tracing the original uploader and how quickly people share the illegal uploads.

Montreal’s annual Salon is a weekend of fun, bringing warmth to an otherwise chilly city in the winter. It’s a place where nearly all are welcome, great for the shopping, shows, and lessons about sex that may prove handy someday. Check it out next year!

* Featured image by Jo Gorsky

Panelists David DesBaillets and Jerry Gabriel discuss the Conservative Leadership Race and Montreal’s 375th Anniversary with host Jason C. McLean. Plus News Roundup. Community Calendar and Predictions!

Panelists:

David DesBaillets: Blogger, Doctoral student and political junkie

Jerry Gabriel: FTB contributor

Host: Jason C. McLean

Producers: Hannah Besseau (audio), Enzo Sabbagah (video)

Reports by Hannah Besseau

Recorded Sunday, January 15th, 2017 in Montreal

LISTEN:

WATCH:

Microphone image: Ernest Duffoo / Flickr Creative Commons

Panelists Lyle Stewart and Cem Ertekin discuss new Projet Montréal Leader Valérie Plante and the upcoming film Rogue One: A Star Wars Story with host Jason C. McLean.

News Roundup Topics: Standing Rock (temporary?) victory, Trudeau’s pipelines, the death of Fidel Castro and Val d’Or

Panelists:

Lyle Stewart: Veteran Montreal journalist

Cem Ertekin: FTB Managing Editor and contributor

Host: Jason C. McLean

Producers: Hannah Besseau (audio), Enzo Sabbagah (video)

Report by Hannah Besseau

Referenced article by Lyle Stewart from The Nation

Recorded Sunday, December 4, 2016 in Montreal

LISTEN:

WATCH:

Microphone image: Ernest Duffoo / Flickr Creative Commons

Forget The Box’s weekly Arts Calendar is back for its last November edition. Take a look at these excellent events if you’re looking for fun and inexpensive things to check out!

As always; if you’re interested in going to one of these events and want to cover it for us, send a message  or leave a comment below.

Beaux Dégâts #45 – Tap Water Jam MTL + Ella Grave showcase

Beaux Dégâts is a time-honoured Montreal tradition that combines improvisation in musical and fine arts to create a unique organic event space. From their Facebook page:

“Beaux Dégâts tries to make a parallel between the reality of street artists and the Fine Arts. It is here to bring back what has been ignored for too long by art institutions and return to the street artist’s reality: the importance of community, sharing, accessibility and uniqueness.

For two hours, six teams of artists will improvise 8ft X 8ft murals on different themes given on the night. Each team will have to research and find visual references to create a production in front of public. All mediums except spray cans are allowed. During the evening, the public will vote for it’s favorite mural using their empty Pabst beer cans. The team that will collect the most cans will win the right to paint over the other artists work if they wish.”

Beaux Dégâts #45: Live Improvised Painting and Music – Wednesday, Nov 30, Foufounes Electriques, 8pm-1am. Entrance: 5$

The Crossing presented by Cinema Politica Concordia

Cinema Politica is a media arts, non-profit network of community and campus locals that screen independent political film and video by Canadian and international artists throughout Canada and abroad. It is volunteer-run and all screenings are by donation.

 

The film that Cinema Politica is screening this Monday, The Crossing, “takes us along on one of the most dangerous journeys of our time with a group of Syrians fleeing war and persecution, crossing a sea, two continents and five countries, searching for a home to rekindle the greatest thing they have lost – Hope.”

The Crossing screening @ Cinema Politica Concordia, 1455 de Maisonneuve Boulevard W, Room H-110, Monday, 7pm. Entrance by Donation

50/50 presented at Mainline Theatre

50/50 is a novel concept; a half-scripted, half-improvised live comedy show! This show was a major hit at Just For Laughs 2016 and will not be back for four months – definitely catch this if you can at the Mainline Theatre.

14884643_1108309189234493_1155566614325204161_o

Coming off a sellout show at OFF-JFL/Zoofest this past July, 50/50 returns with a new cast blending talented actors and hilarious comedians. In each of the show’s nine scenes, a prepared actor who has learned lines off a real script is paired with an improviser who has no prior knowledge of what the actor has rehearsed.

50/50 @ Mainline Theatre, 3997 boul St-Laurent. Wednesday, November 30th, 8pm. $15 (students/seniors/QDF Members $12)

Is there an event that should be featured in Shows This Week? Maybe something FTB should cover, too? Let us know at arts@forgetthebox.net. We can’t be everywhere and can’t write about everything, but we do our best!

Montreal is a great city. The diversity of our population is unmatched in most of Canada, we are unilingual by provincial law, bilingual by federal law, but if you walk down our streets you’ll hear everything from Tagalog to Hebrew spoken.

We have an impressive nightlife and artists from around the world come to perform at our annual festivals. Despite all its diversity, and action, there are many areas where Montreal could use some improvement, especially if you drive a car.

Parking in Montreal is a nightmare.

Part of the city’s parking problem is due to all the construction. When snow and ice aren’t interfering with road work, parking is compromised by construction that takes huge chunks out of the streets.

There’s very little indoor parking despite high demand, and the existing indoor and outdoor lots in the downtown core are heavily taxed by the City. What’s left are areas taken up by signs reserving parking spaces for residents, and everything else seems to have a parking meter on it.

There’s a saying that in life there’s no such thing as a free ride, but in the City of Montreal there’s no such thing as free parking.

Montreal Parking Law

To prevent a few headaches, I’ve decided to give you all a crash course on Montreal’s parking laws. These rules apply only to the City of Montreal, which includes such boroughs as NDG/Cote des Neiges, the downtown core, and the Plateau. Areas on the Island that operate independently of the City of Montreal, such as the City of Cote-Saint-Luc and Westmount have their own rules.

The City of Montreal’s parking rules should be easily accessible online, but they aren’t. Most of the city’s online resources for parking are devoted to helping people pay parking meters and tickets.

The law itself is the By-Law Concerning Traffic and Parking and is almost impossible to find online unless you know exactly what you’re looking for. The most updated version is only available in French so if you don’t know the language, you’re screwed.

montreal-parking-meter
Image: WikiMedia Commons

If you get a parking ticket, the ticket WILL indicate what rule you are deemed to have violated, but it will usually list the number of the offense, not the whole rule, probably due to the size constraints of the ticket itself.

Here’s what the law says:

On public land belonging to the City of Montreal, you are not allowed to park anywhere prohibited by a sign. If a sign states that there’s no parking in an area outside of certain hours, you are not allowed to park there outside of those hours. If the sign says the spot is reserved for other vehicles like taxis, for example, you can’t park there if you’re not driving a taxi. Unless there’s a sign posted expressly allowing you to park in an alleyway, it is illegal. Same goes for parking on median strips or traffic islands.

If a parking space is blocked or barred by an official barrier, a system of orange lights, a removable no parking sign, or there’s a cover on the parking meter, you’re not allowed to park there. If stopping is forbidden in a designated area by law, bylaw, or regulation, that area is not a viable parking space either.

Parking is forbidden in public parks except in areas officially designated for parking by signs. Offroad parking is also forbidden.

If a spot has a parking meter, you can’t park there without paying it. The exception is if you parked in that spot outside of the hours in which you are obliged to pay, and those are always indicated on the meter.

The City parking meters only accept Canadian currency, but thanks to modern technology you can pay by credit card and even by app. It is against the law to do anything that will keep the parking meter from working, and no two vehicles can take up one spot covered by a single meter.

Getting a Parking Ticket

If you break the rules, you will get a parking ticket either handed to you, left on your windshield, or sent to you by mail. The ticket, officially called a “statement of offense” will require you to pay a fine. Fines for parking violations range between thirty and two hundred bucks.

You have two options for responding to the ticket: you can plead guilty and pay it, or plead not guilty and contest it. Both options have a deadline of about thirty days. If you do nothing, a judge may rule against you by default and order you to pay the fine and any additional costs.

Contesting the ticket is entirely up to you, but there a few things to consider. You need to think about the cost of biting the bullet and paying the fine versus the time, cost, and stress related to contesting the ticket in court. You also need to brutally honest with yourself as to whether or not you deserved it.

If you opt to contest the ticket, you can do so by giving notice within the thirty days you have to respond. Just follow the instructions on the back of your ticket. The court will eventually send you a hearing date. On court day, bring any documents you have to prove your version of events such as photos taken the day you got the ticket, and bring a copy of the police report.

If you live and work in an area facilitated by Montreal’s public transit system, you can avoid the problems and cost of a car by investing in tickets or a pass. The bus and metro have their own set of problems, but in many ways they are a lot faster than taking a car.

If you have a driver’s license you can always follow many Montrealers in occasionally renting a car or joining a carshare service like Communauto so you have access to a vehicle when you occasionally need it.

Parking in Montreal is a pain, and with everything going on, we could all use less of it. Don’t suffer.

* Featured image: Goethe.de, Creative Commons

The Candyass Cabaret: Shimmies and Showtunes is at the Cafe Cleopatre (1230 boul St-Laurent, 2nd floor) this Friday November 18th, doors at 9pm show at 10pm. It features burlesque, drag and other theatrical entertainment. $10 at the door. I will be there with my fellow performers naked for the world to see.

I have been active with the Buffalo Infringement Festival and was very inspired to go to the Infringe Mecca of Montreal to see where it all began. Two years ago, Fifi Laflea and I made the trip for the Montreal Infringement Festival and we had no idea the honor it would be to perform with the Candyass Caberet at the historic Cafe Cleopatre.

candyass

Being in the dressing room even felt special. I wondered what incredible creatures from times past got ready in front of these very mirrors? I truly cannot believe that special place was almost a thing of the past.

In a world over saturated with sex it is a challenge to truly titilate someone with art. Burlesque is my life. It is an old tradition of theatrical bawdiness with blatant political intentions.

A major highlight of my career was a the 2014 Montreal Infringement Festival where (dressed in horrible white trash drag) I pulled several American flags out of a very large glittery plushy penis to the song “America, F*ck Yeah!” during that Candyass show, with Fifi Laflea as my beautiful assistant. It was definitely a statement about how the rest of the world views Americans and our culture of waste and over privilege.

It is even more important now to be a sort of cultural ambassador with my art due to the election of that pompous Cheeto nightmare. I have a responsibility to show the world that not all Americans are like him, not all of us support hate, most of us are scared, we are angry. We are going to speak out and stand up. Art is the first line.

I asked Velma Candyass, world renowned burlesque performer, a few questions. She is also one of the ringleaders that helped to save the Cafe Cleopatre from demolition. She also does incredible tours of the Montreal Red Light District with Donovan King, and runs her own burlesque troupe The Dead Doll Dancers. She is an absolutely incredible performer, a super babe, my burlesque crush, and a total sweetheart.

candyass-cabaret-3Wow, I am very impressed that this is the 50th show! How do you feel about 50 Candyass Caberet shows?

Im shocked at having produced this much under the Candyass concept. It’s a lot of work but I genuinely enjoy the challenges involved in managing a show and herding the artists

What was the theme of the first show?

If my foggy brain recalls, it was not too long after the victory saving the Cleopatra venue. So it was a ‘welcome to the cabaret” theme with lots of variety arts, drag queens and burlesque with a european cabaret flavour.

Why did you choose a Showtunes theme for this one?

Why showtunes? Why not? It was a theme that several of my regular artists really wanted to have and since I hadn’t featured musical theatre type acts in awhile, I felt was a great idea. No matter what, everyone has at least one musical they like, so therefore the artist should be able to develop an act based on an old favourite .

What are your favorite musicals?

I personally like Chicago, Cabaret, Avenue Q, Contact, Wicked, West Side Story and The Producers .

I know a lady never tells her age, but how long have you been doing burlesque?

Oh gawd a long time. Long enough to see the transitions in the styles of burlesque going on. And some of the Legends passing on.

What is your biggest inspiration?

Oh gosh, I would say The Velvet Hammer Burlesque was a definite aha moment along with Le Scandal Cabaret. It was all bubbling underground and dynamic.

candyass-cabaret-5

Who is your burlesque crush/icon?

Tiffany Carter and April March are my burlesque crush/icons. Completely different styles and eras yet wonderful legends to learn from.

What are your thoughts on the political importance and impact of burlesque?

It’s 2016 and a woman/person stripping naked and in control of their bodies is still a big deal as evidenced by some of the crazy things going on in the world. Political burlesque acts are an important expression and, just like the court jester, tell the stories that wouldn’t get told otherwise .

What are your thoughts on the Infringement Festival?

Infringement festivals provide a place for artists to create and have their say. Its getting more and more difficult to be able to afford to participate in many of the large(r) mainstreamed festival and this provides a DIY experience to develop one’s skills.

* Photos (except for backstage shot) by Argaive

* Candyass Cabaret: Shimmies and Showtunes – Saturday, November 18th, Cafe Cleopatre, 1230 Boul St-Laurent, 10pm (Doors 9pm). $10

A few years ago, it was late and the party was winding down. In the background, whatever playlist we were using changed the tune and the first bars of Famous Blue Raincoat started playing. The volume was low and most people were focused on where they had to get to, then someone asked the room “What time is it?” And Leonard Cohen answered through our makeshift sound system:

After we all laughed, someone actually checked the time and, turns out Leonard Cohen was right. It was just after 4am. On the Plateau, a few blocks from where Cohen had written some of his most famous songs. Where he lived for many years with Marianne Ihlen. Yes, So Long, Marianne is named after her, not Marie-Anne street that borders Parc du Portugal.

The couple first lived on St-Laurent then moved to the other side of the park on Vallières Street. where Cohen still owned a home right up until his passing. No matter where his primary residence may have been, he always came back to Montreal for a visit. He also kept in touch with Ihlen for decades after the couple split, even writing a letter before she passed away herself last July which included the now prophetic line “I will follow you very soon.”

His doorway is now a makeshift memorial with Cohen music playing out of an old boombox as people continue to leave candles, pictures and other messages as a tribute to the man’s life and the poetry and music he left us. There was a large gathering of Cohen fans, friends and neighbours and a group singing of some of his biggest hits Saturday and another memorial gathering by the Portuguese community today.

A similar shrine has popped up outside the Chelsea Hotel in New York City, made famous in this Cohen tune:

While New York mourns him, a city where he lived and wrote for quite a while, and the rest of the world will surely miss him, too. Montreal was always a part of Cohen and he has been a part of our culture for decades and will be for decades more.

People have been floating ideas for a permanent memorial, like renaming a street, a part of a street or building some sort of monument. Some have even suggested renaming Parc du Portugal in his honour, which would take the approval of the Plateau Borough and the Portuguese Community, but seems the most likely to me along with possibly re-naming Vallières to honour him. Renaming Marie-Anne as some have suggested just wouldn’t make sense.

It was even suggested, by the new PQ leader of all people, to give Cohen a state funeral a la Rene Angelil, but then we found out that he had already been buried. Turns out Cohen passed away on Monday in Los Angeles and his body was flown to Montreal for a small family funeral on Thursday afternoon, after which he was interred in his family’s plot on the foot of Mount Royal.

Then, Thursday evening, Cohen’s official Facebook page notified the world that the man who was a legend had left us. No chance of a large, expensive and ostentatious affair paid for with public funds. Leonard Cohen saw to it that his funeral would be a low key affair, in perfect keeping with his style.

Over the past few days, quite a few of my fellow Montrealers have been posting about encounters they had with Cohen on social media and telling their anecdotes to reporters. While I never had the opportunity to run into him myself, I vicariously feel like I have.

All the stories paint a similar picture. That of a total gentleman who would hold the door for a stranger carrying too much stuff, would leave the house impeccably dressed no matter what time it was or what he was doing, would hang around as a member of the community without any pretension, respectful of his neighbours and pleasant to any random fan who happened to catch his eye.

Through his music and lyrics, we all got the chance to know him. He was a down-to-earth guy who had an uncanny ability to observe and understand human nature and the gift to be able to translate that understanding into brilliantly crafted lyrics. He also had the forethought to realize that if he set those lyrics to music and delivered them more like a poet with a backup band than a traditional singer it would work.

When it came to politics, he was a cynic, sure. But even at his most cynical, he was also optimistic:

but he always kept it real:

and was fierce fighter:

The impact this man had on the culture at large, the culture here in Montreal and millions of people, most who never met him, is immeasurable. I tried to include as many tunes as possible in this post, but it barely scratches the surface of even just my favourite Leonard Cohen songs, let alone what this legend had to offer over the decades.

Leonard Cohen, so long, sir, you will always be with us.

So this is it. Call it the series finale for American Democracy. Call it The Thrilla with Far Too Much Vanilla. It’s the 2016 US Presidential Election and it will be resolved tonight (in theory).

I’ll never complain about the length of a Canadian campaign again. This site alone has published 21 posts on the subject and spoke about it numerous times on our podcast and most of our readership can’t even vote in US elections.

From the spark of revolutionary Bern in the primaries to the threat of a smug orange mushroom cloud in the general, we have been paying attention. Canadians like me, people around the world, Americans living abroad, some right here in Montreal and of course those living in the 50 states have been closely watching, reading and posting about the developments.

Tonight will be no different. The question becomes, will you be taking in the results alone or with others. In both cases, there are plenty of options:

2016 US Election Results Watch Parties in Montreal

If you want to watch the election results pour in and either celebrate or commiserate with a room full of people, there are a bunch of places in Montreal where you can do just that.

Here are a few:

US Election Results Viewing Party @ Chez Boris: Usually, this Parc Avenue breakfast and lunch place isn’t open much past 7pm. They made an exception during the recent Presidential Debates and it was a success, so they’re doing the same thing for election night.

I like that the place is open specifically for this event, which means those in the room are also only there to watch the election results. They’re promising deep fried oreos, Icelandic-style veggie dogs and hot dogs and an election-themed costume contest and bingo. Details and a rather funny description are available on their event page, and also this, one of my favourite event images so far:

us-elections-hope-progress-pabst-cans

Chez Boris, 5151 Ave du Parc, 7pm – 12:30am

Democrats Abroad Montreal Election Night Party @ Sir Winston Churchill Pub: This is probably not the best place to ironically wear your Make America Great Again hat. Also, probably not the most pro-Jill Stein crowd in town. If, however, you’re waiting with anticipation for Hillary to smash that glass ceiling, this group of people watching the results at Sir Winston’s are very much “with her” as well.

Democrats Abroad Montreal and Democrats Abroad McGill are hosting an election night party, as they did for the debates. If you happen to be looking away from the screen or even outside having a smoke when a state turns blue, don’t worry, the cheers of the crowd will let you know what happened.

Sir Winston Churchill Pub, 1459 Crescent, 6:30pm – midnight

OCSM US Election Pub Night @ Burgundy Lion: The Oxford & Cambridge Society of Montreal has a section of tables reserved at the Burgundy Lion Pub. This is a group that hosts events for Oxford and Cambridge alumni living in Montreal, so it’s sure to offer a much more academic perspective on the vote south of the border

Burgundy Lion, 2496 Notre Dame Ouest, 6:30pm – 3am, Ask for the O&C tables or Martine Verdy. Please RSVP with Professor Gerald Ratzer at gerald.ratzer@mcgill.ca

US Election Night Party @ Groove Nation: If groove is in the heart and politics is in the head, then Groove Nation is putting together a package deal for election night. The venue most known for live shows and dancing will be showing live election results on a giant screen.

According to the event page: “Whether you are for, against, or abstaining, you are welcome to join us for drinks and debates. Whatever happens at the end, at least it will finally be over! We think.” They’ve also got a good image:

us-election-night-groove-nation

Groove Nation, 410 Rachel Est, 6:30pm – 3am

Election Night at Casa : America’s Final Rose Ceremony 2016: Casa del Popolo has probably one of the best names for an election results watching event I’ve seen. It’s also the event which takes into account the psychological effect this election has had on people. They’re offering free community support along with $4.50 pints and $3.50 shots.

DJ Christina Bell will be spinning tunes, the results will be shown on a giant screen and there’s no cover. There are also “no jerks or Trump supporters allowed”.

Casa del Popolo, 4873 Boul St-Laurent, 9pm – 3am

Watch the 2016 US Election Results Online

If you’re not so sure if you can contain your reactions in public or would just prefer take the results in at home alone or with friends, there are options other than mainstream news outlets. Here are a couple:

The Young Turks: I love this team. They’re biased and don’t hold their opinions back. They were pro-Bernie in the primaries, but now their main host and network co-founder Cenk Unger as well as most of the other pundits on the panel plan to vote Hillary, while remaining critical of her. A few are backing Jill Stein. They all hate Trump.

If you’re looking for solid analysis from a progressive perspective, they have it. They also will be reporting the results as soon as they come in. Generally once two of the major outlets predict a winner in a state, they announce it as well.

The Young Turks will be streaming live from 1pm to 1am and possibly longer on YouTube and Facebook.

Democracy Now: Amy Goodman is the paragon of independent journalists. She, along with Juan Gonzalez, will be hosting live election night coverage featuring up-to-the-minute results not only on the race to the White House but also for the US Senate and the US House of Representatives as well as ballot initiatives across the country, including California’s push to legalize recreational weed.

DN is not op-ed, in fact, it’s known for objective journalism. What I love about them, though, is how, through their selection of topics to cover and guests to have on, they present information that rarely gets a hearing outside of progressive circles. I trust them to focus on what’s really important this election as well as the the big stories everyone will be covering.

Democracy Now! will be livestreaming on their site election night from 7pm to midnight.

No matter where you’re watching, here’s hoping you get the results you were looking for. That, and let’s also hope it’s a lot smoother in four years.

* Donald Trump painting in featured image by Samantha Gold. Buy the original on eBay

* Special thanks to my FB friends for helping me assemble this list

Forget The Box’s weekly Arts Calendar is back for its early November edition. The chill has definitely returned to Montreal, but that doesn’t mean it’s time to lock ourselves indoors yet! Take a look at these excellent events if you’re looking for fun and inexpensive things to check out!

As always; if you’re interested in going to one of these events and want to cover it for us, send a message  or leave a comment below.

Bareoke presented by Glam Gam

No stranger to performing in local strip clubs with the burlesque troupe Glam Gam, Lipster’s organizers realized this type of venue would surely allow them to transform their karaoke show into Stripster!

Now you can find them the first Saturday of every month at the historic Café Cléopâtre, which comes equipped with a large stage, a smoke machine and crazy lighting which allows people to take their performances to the next level.

Glam Gam’s organizers have made an important step in making the space open for everyone, according to their Facebook event page : “We are thrilled to have performers of all different backgrounds, ages, body types, gender identities and sexualities. Some people will take off just a sock, others will get down to their skivvies and a lot of brave souls prance around in their birthday suits! The best part is that everyone respects and encourages each other’s boundaries with little to no policing on our part.”

Come see what all the fuss is about!

Bareoke @ Café Cléopâtre, 1230 St Laurent, Saturday, November 5, 10PM, $5

FTB is no stranger to Glam Gam!
FTB is no stranger to Glam Gam!

Fishbowl Collective Presents: An Anti-War Art Pop-up

The Fishbowl Collective will be occupying a studio space in Griffintown and filling it with art of all kinds against war/militarism of any kind!

At 8:30, the space will be taken over by anti-war Pierrots in an hour-long version of Theatre Workshop’s Oh What a Lovely War!

From 9:30-11 the space will act as a showcase for local artists to show their work!

Local anti-war organizations will be tabling in the space.

Oh What A Lovely War's Theatrical Poster
Oh What A Lovely War’s Theatrical Poster

Using songs and documents of the period, Oh What a Lovely War! is an epic theatrical chronicle of the horrors of WWI as presented by a seaside pierrot troupe. It was collectively created by Theatre Workshop in 1963 under Joan Littlewood, and over 50 years later remains unique in its innovative satiric way of looking at the difficult subject of war and its futility. Its dismissal of sentimentality and its distinct anti-war-agit-prop flavour highlights the oppression of the working stiff turned common soldier and points to the absurdity involved in war.

141 Rue Ste Ann, Pay What You Can (All Proceeds go to Actions Réfugiés Montréal)

Pride Screening presented by Socialist Fightback!

Socialist Fightback is screening Pride (2014) at McGill University’s Shatner Building in Room 202 this Wednesday. Entrance is FREE, and a spirited discussion is sure to follow. Curious about what “Solidarity” means to the LGBT community? Check this movie out.

Pride offers an excellent example of solidarity along class lines. Between 1981-1984, the British government under Margaret Thatcher had closed around 20 mining pits and coal mining employment continued to fall. The miners’ strike of 1984-85 was a major industrial action to shut down the British coal industry in an attempt to prevent colliery closures.

Also victims of Thatcher’s bigotry and conservative policies, gays and lesbians came together to collect funds and sustain the miner’s strike. Although reluctant at first, the miners accepted the support from the LGSM.

Pride is a great demonstration of how class unity is the best and most effective way of fighting against all types of oppression.

Pride is screening in the Shatner Building Room 202 @ McGill University, November 9, 7pm, FREE

 

Is there an event that should be featured in Shows This Week? Maybe something FTB should cover, too? Let us know at arts@forgetthebox.net. We can’t be everywhere and can’t write about everything, but we do our best!

Thousands of people lined up on the McGill campus Wednesday night waiting hours for a chance to be part of a videoconference with Edward Snowden.

(No, not the guy from Wikileaks, that’s Julien Assange and the only thing they have in common is an outstanding warrant against them for leaking information that the American government wanted kept secret. Snowden revealed that the government agency he worked for, the NSA, was spying on ordinary people on a scale that is neither legitimate nor legal. Basically, he proved that the US and many other countries, including Canada, engaged in mass surveillance. This means the government collects things like your phone records, your videos, your internet data, regardless of whether you are suspected of criminal activity or not.)

You might have missed the videoconference because you were among the thousands of understandably irritated fans left outside after both auditoriums were filled. Maybe you decided to go home after almost getting trampled for the third time in the line-up. Maybe you stayed home to watch the Cubs win.

We can’t recreate for you the distinct Rock Show feel of the overexcited line of people randomly cheering and periodically lurching forward in a panic to get inside, nor the barely concealed distress of the moderator as the video entirely cut off after random people started joining the video call.

The event did not run smoothly by any stretch of the imagination. Less than half of the people who lined up got inside the building. The conference was more than an hour late and the organizers managed to make the Google hangout public, which let to technical difficulties of frankly comedic proportions.

The fact that AMUSE/PSAC, the association representing 1000 members of support staff (most of them also students) at McGill was on strike and picketing arguably didn’t help matters. They became the prime target of the people’s frustration.

However, Edward Snowden himself came to their defense. He encouraged the people present to “hear them out” and reminded the audience of how hard being a dissident could be.

Mishaps aside, the conference happened and Snowden managed to say a lot of interesting things during it. Here are a few of them.

“Surveillance technologies have outpaced democratic control.”

Mass surveillance was a lesser problem when it wasn’t so easy. Not so long ago, it took a whole team to track one person’s activity. Now it’s the opposite. One lone government official can easily track the activities of many people.

The safeguards against the abuse of this power have not developed as quickly. This means that Intelligence agencies have less accountability than ever, while their powers keep growing thanks to evolving technologies.

“This inverts the traditional dynamic of private citizens and public officials into this brave new world of private officials and public citizens.”

This, Snowden says, is perfectly illustrated by the recent revelations about the SPVM spying on Patrick Lagacé. It was revealed earlier this week that the SPVM and the SQ have put the La Presse reporter and at least six other journalists under surveillance in an effort to discover their confidential sources. Snowden called it a “radical attack on the operations of a free press” and “a threat to the traditional model of our democracy.”

But the actions were authorized by the court. For Snowden, this is a sign that the “law is beginning to fail as a guarantor of our rights.”

Intelligence officials have overtly admitted that they would interpret the word of the law as loosely as they could to fit their interests, regardless of the actual intent of the law. In practice, this translates to using anti-terrorist measures to spy on environmental activists or getting access to a journalist’s internet data through a bill meant to fight cyber-bullying.

 “How do we ensure that we can trust intelligence agencies and officials to operate the law fairly? The answer is we can’t.”

We can’t trust intelligence officials to respect the spirit of the law; in fact, we can’t even trust them to respect the law itself, argued Snowden. Intelligence gathering programs have broken the law more than once, he reminded, often without consequences.

“What we can do,” he continued, “is put processes in place to ensure that we don’t have to.” He believes the key of these processes is an independent judicial authority able to oversee intelligence gathering operations and prosecute them when needed.

Canada actually has the weakest intelligence oversight out of any major western country.”

Now they’re not the most aggressive,” he conceded, “they don’t have the largest scale, but…. no one is really watching.”

The powers of the Canadian Security Intelligence Agency (CSIS) have drastically increased in the last 15 years.  Law C-51, in particular, allows them to decide under any motive – however far-fetched – who constitutes a threat to national security and can thus be spied on. “The current Prime Minister did campaign to reform [C-51] and has failed to do so,” reminded Snowden.

The resources to oversee the CSIS, meanwhile, have decreased. The office of the Inspector General, which used to be a major part of it, was simply cut by Stephen Harper. This left the Security Intelligence Review Committee (SIRC) as the sole entity reporting to parliament on intelligence agencies. Its members are politically appointed.

CSIS is not the only intelligence gathering agency. The Canadian Border Security Agency, Global Affairs Canada and the National Defense Department all have the power to infringe on the rights of people, including the right to privacy, in certain circumstances and there is no credible authority overseeing them.

Retired Deputy Director of Foreign Intelligence Kurt Jensen pleaded for changing this situation in an article published last January. “Remember the old adage of who will watch the watchers? In Canada the answer is no one,” he wrote.

Since then, the government has started a process to review the oversight of intelligence gathering operations. Public hearings about the matter have started in September. Incidentally, this week, a judge ruled that the CSIS has been unwittingly conducting illegal mass surveillance since 2006.

The conference ended on an inspirational note, with Snowden addressing the students:

“We can have a very dark future or a very bright future but the ultimate determination of which fork in the road we take won’t be my decision, it won’t be the government decision, it will be your generation’s decision.”

In this podcast, panelists Ellana Blacher, Cem Ertekin and Vincent Simboli discuss for one last time the Presidential Elections happening in the US, the spoken word scene in Montréal, the Dakota Access Pipeline and more in our News Roundup segment. Plus the Community Calendar and Predictions!

Host: Jason C. McLean

Producer: Hannah Besseau
Production Assistant: Enzo Sabbagha

Panelists

Ellana Blacher aka Joy Low-Key: Spoken Word Artist and FTB Contributor

Vincent Simboli: FTB Contributor

Cem Ertekin: FTB Managing Editor

 

*US Election Report by Hannah Besseau

LISTEN:

WATCH:

Microphone image: Ernest Duffoo / Flickr Creative Commons

Last month, Montreal’s international reputation took a hit thanks to Denis Coderre’s pit bull ban. This was amplified by celebrities speaking out against it. Now, we’ve caught the attention of famed whistleblower Edward Snowden, who tweeted this:

Snowden linked to a Montreal Gazette article about the Montreal Police (SPVM) spying on La Presse journalist Patrick Lagacé’s cellphone. Lagacé had been looking into Escouade, the police task force dealing with street gangs and drugs, and the possibility that they were fabricating evidence.

The SPVM wanted to know who the journalist’s sources were. They asked for and received 24 warrants to monitor Lagacé iPhone, record its metadata and track his GPS location between January and July of this year.

These came out in the investigation into Costa Labos. The former head of Internal Affairs at the SPVM confirmed that they had been spying on Lagacé.

For Snowden, this story serves as a warning for journalists everywhere: if you don’t protect your phone data and GPS location, you may be putting your sources at risk. It’s also an indictment of the fundamental disrespect some police forces have for freedom of the press.

For Montreal, though, it means that once again, we are a shining example to the world of the wrong way to do things. And the ultimate culprit may just be the same one as the pit bull ban, or at least quite close.

As Alex Norris, City Councillor with Official Oppositon party Projet Montreal said in the same Gazette article Snowden tweeted: “We believe that it is inconceivable that an operation this sensitive would not have been approved by Philippe Pichet. If he wasn’t advised of this operation then it means he has lost control of his organization.”

If it goes as high as Pichet, then it’s not that far from the office of the man who appointed him: Mayor Denis Coderre. The sad thing is, spying on police is not out of character for Coderre, either.

For the second time in as many months, Montreal is in the international spotlight. And we don’t look good.

* Featured image of an SPVM officer going through a protester’s bag in July 2015 by Cem Ertekin

Rocky Horror is my religion.

Every Halloween and during the occasional summer show for the past seventeen years, I’d paint my face and those of my friends, fasten my garter belt and wait in the freezing rain and snow to see the interactive Rocky Horror Picture show.

The interactive show is something every Montrealer should experience at least once. The production doesn’t just show the 1975 movie, but actors also act it out on stage while the audience is invited to yell comments – there are scripts and videos of call lines available online – and throw toilet paper, toast, and playing cards at specific times during the film. There is a costume contest, and prizes are awarded on both the costumes and on what you are willing to do to rile up the crowd. That could mean anything from flashing to doing backflips on stage.

The venues and casts have changed from the Imperial to The Medley to the Rialto and back to the Imperial, but the formula and spirit of the event stays constant. This is a show where you must put any prejudices you have about sexual orientations and gender identities aside. It’s where you have to stuff your prudery and your judgment to celebrate the safe, consensual and fun.

Whether it’s the annual musical play at the Mainline Theatre or the interactive Picture Show at the Imperial, The Rocky Horror shows are not for those who want their intolerances tolerated. It’s for those who believe everyone deserves to feel welcome.

For me the interactive picture show is now sadly a no-go. My health problems make it dangerous for me and anyone with a physical disability as people are regularly bumping and grinding and dancing with each other, and many are drunk.

As a consolation prize to myself, I opted to go to the Mainline Theatre’s production of Richard O’Brien’s The Rocky Horror Show – Live Montreal Musical. If you can get up the treacherously steep staircase of the theatre, the live musical show is no consolation prize but a gem in and of itself.

rocky-horror-show-montreal-2

With no background movie to compete with, the actors, musicians and dancers truly shine. The voices you hear are not those of Susan Sarandon, Barry Bostwick, and Tim Curry, but of the Montreal cast.

Sarah Kulaga-Yoskovitz, who played Magenta, opened the show with her rendition of Science Fiction Double Feature, a version a lot sweeter than Richard O’Brien’s scratchy one from the film. The “Phantoms” clad in fishnets and garter belts danced around her and throughout various scenes, keeping the show’s burlesque feel true to form. The dancing, while choreographed by Director/Choreographer Amy Blackmore, never felt overly predictable or plastic.

This is one of the few shows where heckling (within reason) is encouraged. If you know the show’s call lines, you are welcome to yell them and even invent some you feel fit the show. The actors never miss a beat and give as good as they get. When Stephanie McKenna’s Frank delivered the line “even smiling makes my face ache”, one audience member yelled that it was from all the blowjobs. McKenna, never breaking character, replied with:

“No, I don’t give blowjobs like you do.”

Rocky was played by Dane Stewart, who portrayed the character’s infantile naivete and sexual curiosity perfectly. Unfortunately, he seemed unable to do the physical moves the part calls for, but whether this was a mutual decision between him and the director is unclear. Rocky is described in film and play as being all muscle and no brains. When Frank starts singing about press ups and chin ups, I expect the person in the role to at least do a push up, but if Stewart can do them, the audience never got to see it.

rocky-horror-show-montreal-3

Franco De Crescentis as Riff Raff was a sight to behold, stealing nearly every scene he was in. His portrayal made a character who is supposed to just be creepy sexy and intense. His performance was rivaled only by that of Maxine Segalowitz as Columbia.

Segalowitz’s Columbia was the perfect mix of sass, cuteness, and hysteria. She was also physically remarkable, performing the dance moves in a way that looked at once polished and clumsy, and like all great comedic actors, she clearly knows how to take a fall.

McKenna’s portrayal of Frank was prissier than I expected, but she played the role with all the snark it needed. Her physical strength was especially impressive as she could do lifts and simulate sexual positions many men can’t do.

Kenny Stein portrayed both Dr. Scott and Eddie. While Meatloaf raised the bar incredibly high with his portrayal of Eddie in 1975, Stein can sing and got the job done. His portrayal of Dr. Scott as (by his own admission) an old Jewish guy made the jokes about Dr. Scott being a Nazi especially funny.

Elyann Quessy’s Janet and Anthony Schuller’s Brad were what one would expect: nervous nerdy naivete, but nothing outstanding. As they are a foil for the play’s more interesting characters, that’s all you need.

Perhaps the true stars of the show were the band members, who kept the music on point. Led by Musical Director and former Producer of the show, Shayne Gryn, the timing of the music never faltered, even though the actors struggled with only two microphones and one headset worn by Frank, probably the result of a low budget and feedback issues.

If you love snark, sass, and sex, The Rocky Horror Shows are for you. If want to feel part of the experience and don’t mind being hit in the head with a roll of toilet paper, go to the interactive Rocky Horror Picture Show. If you prefer to sit and watch and see local talent at their best while enjoying great music, go to the Mainline Theatre’s Musical Show. Hell, go to both if you can! They’re amazing!

The Rocky Horror Show Halloween Ball is going on October 28, 29, and 31 with shows at 8 pm and 11 pm. Tickets are $17.95 ( + tx and serv) in advance and $19.95 (+tx and serv.) at the door. For more info and tickets go to www.rockyhorrormontreal.com

The Mainline Theatre’s production of Richard O’Brien’s The Rocky Horror Show – Live Montreal Musical is happening from October 20 to 31. Tickets are $20 in advance and $25 at the door. Seniors, students, and members of the Quebec Drama Federation pay less. For more info and tickets go to mainlinetheatre.ca

« We believe you » : that was the cry chanted again and again at the rally against rape culture in Montreal on Wednesday. Over a thousand people gathered in the Émilie-Gamelin Park around 5:30 pm despite the freezing temperature.

Several people spoke on a small stage before the group marched through Quartier des Spectacles and Place des Arts. The night ended at Club Soda with a mixture of speeches, testimonies and performances by popular and emerging artists.

Similar events took place in Québec, Sherbrooke, Trois-Rivières, Gatineau, Chicoutimi and Saguenay.

Denunciation and solidarity

The demonstration was equal parts an act of denunciation and solidarity. Denunciation of the acts of sexual aggression recently exposed by the media and of the subsequent victim-blaming that surfaced.  (“Comparing women to cars? Fuck You Éric Duhaime” read one of the signs.)

It was also a broader denunciation of a culture that claims gender equality as a core principle while routinely allowing – even encouraging-  disrespect of women’s rights to consent and to bodily autonomy.

Just as importantly, the event was a show of solidarity for all women and support for all victims. “We believe you” protesters shouted to Alice Paquet, the young woman who recently went public about Liberal MNA Gerry Sklavounos raping her. “We believe you” they chanted to the students of Université Laval assaulted last week. “We believe you” they assured the shocking number of women in the park who raised their hands at the question “who here, has ever been sexually assaulted?”

More generous estimates report a crowd of 2000 people. While young adults remained the dominant group, people from all ages, ranging from young families to the elderly, were present. The number of men was not too far below the number of women. Several speakers expressed appreciation for their presence and support.

After various speeches, indigenous singers sent off the crowd with a traditional music number. The march lasted about an hour and a half. It ended with protesters forming a wide circle around Indigenous performers at Place des Arts. At the artists’ insistence, people joined hands and danced to the sound of traditional native songs.

A smaller group continued marching under much closer police supervision.  Protesters mockingly imitated the heavy rhythmic steps often used by riot police as an intimidation tactic and chanted jeering slogans about Bylaw P6 being declared unconstitutional, but the protest remained peaceful. The police stayed as an escort and no major intervention was reported.

Safia Nolin, Queen Ka and other artists on stage

Meanwhile, organizers and many protesters converged on Club Soda for a post-protest show. The event was organized by a group of women from different backgrounds.

Among them were reporter Sue Montgomery, known for starting the trending hashtag #beenrapedneverreported on Twitter, and Tanya Saint-Jean, co-founder of the Montreal collective Je Suis Indestructible, as well as militant authors Natasha Kanapé Fontaine and Léa Clermont-Dion. After their speeches, the crowd was treated to a high quality music shoanti-rape-culture-march-montreal-december-26-2016-2w.

First came the Buffalo Hat Singers, a contemporary Powwow band that provided a nice continuity with the protest’s ambiance. Then followed widely popular female artists Safia Nolin and the Sisters Boulay. They each provided a solid performance of their own before uniting for a song.

Sabrina Halde (Groenland) and Laurence Nerbonne were also featured. Slammer Queen Ka notably delivered a brilliant poem about rape culture that she said she wrote the same morning.

A few artists hinted that they’d had minimal preparation and openly admitted to being nervous, but it didn’t hurt the show. What was missing in sophistication was more than compensated for in authenticity.

Stéphanie Boulay’s spoken text about her personal experience with rape culture and Safia Nolin’s spontaneous anecdote about a driving teacher with wandering hands contributed to a general feeling of intimacy with the public.

The night ended with an open mic.  Anyone who wanted to was invited on stage to share experiences, poems and anything they wanted about rape culture.

“The fight will be intersectional or it will not be”

That’s what the humorous duo Les Brutes said when they introduced the open-mic segment of the show. It was a prevalent theme of the event.

Intersectionality is an academic concept according to which the fight against one type of oppression must intersect with fights against other types of oppression. The failure to integrate this concept in past feminist movements has lead them to focus on the rights of cis, abled, white women.

The organizers of Thursday’s event did their best to address the compounded vulnerability of disabled women, trans women and women of colour.  A special effort was made for the event to be as inclusive as possible.

Both the protest and the show were held in wheelchair accessible places and a sign language interpreter was present at all times. One even masterfully translated the entire performances in Club Soda. Organizers also acknowledged Indigenous issues on several occasions, starting by recognizing they were standing on unsurrendered Mohawk grounds.

That effort was greatly appreciated by two young indigenous women who spoke to FTB after the show.

“I had the impression that there was decent representation, with native presence and Natasha Kanapé Fontaine, who is an excellent  spokesperson, especially for indigenous people,” said the first.

Her friend underlined however, the importance of also having events with native women as a soul focus.

According to Statistics Canada, one out of three women has been assaulted at least once since turning 16. 40% of women with physical handicaps will be assaulted at least once in their life. 75% of indigenous girls will be sexually assaulted before they turn 18. A 2014 government report estimated that only 5% of all sexual assaults are reported to the police.

This podcast features panelists Mirna Djukic and Jimmy Zoubris discussing the new NDP back in Québec , Projet Montréal looking for a new leader, Trump’s latest remarks regarding women and more in our News Roundup segment. Plus the Community Calendar and Predictions!

Host: Jason C. McLean
Producer: Hannah Besseau
Production Assistant: Enzo Sabbagha

Panelists

Jimmy Zoubris: Projet Montreal VP and Business Owner

Mirna Djukic: FTB News Contributor

 

*NDP Report by Mirna Djukic

*Projet Montréal Report by Hannah Besseau

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WATCH:

Microphone image: Ernest Duffoo / Flickr Creative Commons