Summer is back and so is Piknic Électronik, with an exciting line-up of local and international electronic artists playing every Sunday from May 19th to September 29th. The 17th edition kicked off on May 19th with DJs Adam Husa, Mike Haddad, and Dufire, as well as others.

This weekend catch Bonobo and his traveling festival Outlier at Piknic Élektronic for a special Saturday OFF-Piknic event also featuring Totally Enourmous Extinct Dinosaurs, JETS, Prefuse73, and Durante, followed by a 100% local line-up on the island this Sunday including DJs Kora, Sinca, DJ Sunset, Lou Fre$h, and a special surprise guest!

Just picture it: you, your friends, a bucket of alcohol (yes, they have buckets), the sun setting over the St-Lawrence river, and Piknic’s consistently eclectic and electric line-up of artists. What better way to spend any summer Sunday than dancing in the sun?

The festival takes place in Parc Jean-Drapeau, just 10 minutes outside of the city on the Metro’s Yellow Line and goes on every Sunday from 2pm until the sun goes down.

Watch the full summer 2019 line-up below:

Visit Piknic Électronik’s website for complete line-up details and to purchase tickets! Season, family & student passes are also available

Local rapper and native Montréaler, Decent (@Dece_Af) debuted his album Dece as Fxck at a launch party hosted by Last Call Bar Creations on St. Laurent this past Tuesday evening. Although originally from the West Island, Decent spent several years abroad in England and Thailand. He’s now back in town and ready to take over the rap game with his natural talent for singing, rapping, and making beats.

Last Call Bar Creations

Last Call is spacious and well-lit. After receiving your ‘decent’ stamp at the door, you walk past several large camera lights set up for photos and some artists doing live paintings, and then into the main space with the stage dead ahead, a rack of Decent merch to your left, and Last Call’s bar to the right.

The ceilings are tall, and the room seems to be changing color with the light: blue, green, red, then blue again. Most people are having a drink and laughing with each other, some are dancing to the trap music being mixed by a DJ at the front of the room, as they wait for the show to start.

The room itself is so absorbing that when Decent jumps up on stage and starts singing without any warning, the transition almost goes unnoticed, but once he starts doing his thing he quickly commands complete attention of the room and the audience lets out a cheer.

Decent is comfortable on the stage, once or twice even stepping down into the center of the room, as well as stage-diving into the eager crowd of fans. His music is easy to dance to, and hard not to bounce to, and he knows it.

Check out Decent on instagram @dece_af, Apple Music, Youtube, or Spotify. Here’s a sample:

POP Montreal released the first part of their lineup for their annual fall festival at a 5 à 7 on Wednesday in their new venue, Chez Ursa, which is conveniently located right below their official headquarters.

The atmosphere at Ursa is friendly. Dan Seligman, POP’s co-founder and creative director, even acknowledged the good vibes as he thanked us all for coming.

The venue itself is quite cozy; lamp-lit, with a rug in front of the stage which creates a sense of the familiar comfort of being in your own living room, the only thing missing being seats. Although on my way to the venue I had the unfortunate luck of choosing a particularly broken Bixi bike, and so my feelings about the matter were more inspired by my aching legs than anything else… Choose your bike wisely, folks.

When I first arrive, Hua Li is casually mixing her set, fluidly transitioning between a mix of rap and RNB. Her adorable dog, Edna (pictured below), joins her on stage, calmly gazing out at all of us while Li sways rhythmically in time with the music. The combination of their presence invites a relaxed overall mood, though there is an air of something among us that is similarly curious and intriguing.

The performances also include POP’s first play: Trapped in Elon’s Mansion, written by Joe Bagel (of which a reading of an excerpt was performed at Chez Ursa). The play was inspired by a twitter fight between Elon and Jarrett Walker, and is full of rapid-fire witticisms, many in reference to Musk and his ex-girlfriend, Clair Boucher (Grimes), and their own various connections to Montréal.

Musk, giving his two cents to the mayor of Los Angeles

Some other noteworthy acts from the lineup also include: Laurie Anderson, Tirzah, and Aldous Harding. (Full list of performers to date pictured below). The festival is set to take place from the 25th to the 29th of this September throughout Montreal. Tickets are on sale now, and can be purchased through POP’s website.

FULL LIST: Laurie Anderson, Tirzah, Aldous Harding, Nick Cave, Weyes Blood, Kokoko!,  Yung Baby Tate, Moor Mother & Jerusalem in My Heart, Félicia Atkinson, Jon Bap, Hollerado and Xiu Xiu, Jess Sah Bi & Peter One, Tinariwen, Shonen Knife, 47Soul, Kedr Livanskiy, Yamantaka // Sonic Titan, Oshun, Ian Isiah, Lafawndah, Ex Eye, Teto Preto, Torres, Jerry Paper, Kelman Duran, Daniel Norgren, Haviah Mighty, Blanck Mass, God Is an Astronaut, Marwa Loud, Helm, Emel Mathlouthi, Jessica Moss, Ellis, Bad Waitress, Charlie Cunningham, Fink, TiKA, Colin Stetson, Rebecca Foon, Rakta, Ellemetue, YlangYlang, Trapped in Elon’s Mansion, Hua Li, James Baley, Mobydick and Friends, Desiire and Odile Myrtile.


Anyone who grew up in Canada in the 70s and 80s grew up with the songs of Raffi. An Armenian born in Egypt whose family immigrated to Canada in 1958, he became a household name following the release of his first album in 1975.

He was in Montreal on Sunday to do a couple of performances at Theatre Maisonneuve and he did not disappoint. All proceeds went to the Raffi Foundation, a group that commits to helping the most vulnerable and recognizes that : “Every girl and boy is entitled to love, to dream and belong to a loving village and to pursue a life of purpose.”

The stage was set with an easy chair, a guitar stand, and a rug, giving audiences the impression that we were visiting him at home and not seeing a legend. He bounded on stage with a spring in his step, radiating more life at age 70 than most of us do at 30.

Though his beard and receding hair are now salt and pepper gray and he’s swapped his Hawaiian shirt for a long sleeved plaid one, his voice rings clear and true as it did 40 years ago and radiates the same level of warmth Gen Xers and Yers have grown to know and love.

His audience was comprised of parents who bought his albums in the decades ago and people who grew up with him, some with kids so small their feet barely reached the edge of their seats, some without kids who are there because they crave the kind of loving comfort he offers in an economy that won’t pay fair wages and is systemically trying to strip our rights away. I was of the latter group, and as he began to play I found myself singing and clapping along as I did at the age of five in my pajamas while my parents played his albums on vinyl.

Raffi announced that there would be singing, guitar, “and a lot of bad jokes.”

“It wouldn’t be Raffi without Dad jokes,” smiled fellow concert goer Sarah Anderson.

Raffi started with the classic tunes he’s known for, including Six Little Ducks, Tingalayo, and his version of the Jamaican folk song Day O. True to form, he always let the audience know when they should participate with strategically timed claps, call lines, or sound effects.

He played the annoyingly catchy Banana Phone song with a few ad-libbed lines, including, when singing about all the people he would call with said phone: “I’ll call the White House and have a chat!” It was a line that prompted cheers from the adults in the crowd but was undoubtedly lost on the children.

Though Raffi played tunes from his newest album, Dog on the Floor, he played up to what he affectionately refers to as the Baby Beluga Grads, people like myself who grew up with his music.

I was happy to see him play my favorite of his songs, Down by the Bay, a song that features a lot of silly animal rhymes and wordplay and leaves room for ad libs. When I was a kid in the 80s and 90s dabbling in poetry, I used to try and come up with my own lines for the song, and Raffi did not disappoint that inner child.

He jokingly attempted lines he knew wouldn’t work, causing older audience members to bust out laughing before he finally concluded with: “Did you ever have a time…When you couldn’t make a rhyme?!”

As he guided the audience, he chuckled, giving you the vibe of a favorite uncle or long lost grandfather. Though the concert was only about an hour long – a choice undoubtedly mindful of the limited attention spans of younger audience members – he packed as much as possible into that hour, playing two medleys of his classic tunes.

He often concluded a song by turning to the side, guitar handle out, back arched, in a nod to heavy metal and rock stars. Though most audience members were as well-behaved as could be given the young age of many, there were unfortunately at least two jerks who kept yelling demands for the song Baby Beluga, the Raffi concert equivalent of yelling “Do Stairway!” at a rock concert. Fortunately, Raffi remained unfazed and continued on with a smile, playing the requested song only when he was ready.

When the concert ended Raffi got a standing ovation that was well-deserved. Just as we thought it was over, he bounded back on stage to treat us all with an encore, including a new verse he wrote for Baby Beluga to address all his fans that have since grown up. In it was a call to action, telling us that we were the future, and to fight for social justice, equality, and against climate change. It was this final gesture that brought a tear to my eye and had me sniffling a bit as I left the concert hall.

After all, if Raffi believes in us, shouldn’t we?

Featured image via YouTube

It’s been three years since my last POP experience, so I headed down to the Rialto Theatre last night without knowing what to expect. As soon as I entered the POP Montreal opening party, I immediately felt at ease. The vibe was inviting, intimate, and full of that specific kind of excitement that fills the air at the beginning of any festival: you can’t wait to discover the next great thing.

After looking through our press swag bags, dancing to the DJ, and absorbing the atmosphere, Joe and I left the opening party. We headed down Parc, making a stop at the Crying-Laughing show at Espace Pop. In the old days I never used to see anything but music shows, so this year I’m trying to expand my horizons and see more of what the festival has to offer.

Joe and I eventually made our way to Sala Rossa, where our first music show of the night was Dany Laj & The Looks. While not groundbreaking by any means, they are a very fun rock n’ roll band that got our show watching off to a great start.

Then we were meeting a friend for a drink across the street at Casa Del Popolo, so Joe and I decided to check out the music there. Honestly I wish we hadn’t. Raf Wilcot seemed to try a little too hard to come off as the brilliant tortured artist, when in fact his music was tame and uninspired.

What changed my mood was heading to La Vitrola to catch their last two shows of the night. I was immediately charmed by Moscow Apartment, a teenage girl band from Toronto. They were just so sweet and had such great stage banter you couldn’t help but fall a little bit in love with them. They reminded me a bit of First Aid Kit, and I wish them all the success!

We ended off the night by going from one extreme to the other. After the sweet folk-pop of Moscow Apartment, Laura Sauvage came swagerring onto the stage, demanding that we get the hell off our seats and come rock out. They played a shorter set then scheduled because their drummer had to run off to another show, but what they did play was full of punk rock energy that got everyone at the small venue dancing. It definitely inspired me for all the rocking that’s still to come!

* Featured image of Laura Sauvage by Stephanie Laughlin

** POP Montreal 2018 runs until Sunday. Full schedule at POPMontreal.com

Rejoice indie music fans for today marks the beginning of this year’s installment of Pop Montreal! For those of you who suffer from option paralysis I give you my deepest sympathies because, as usual, there’s just so many shows to choose from.

Even just looking at their schedule can send shivers down the spine of someone who wants to see and do it all. Last week Stephanie Laughlin gave you her picks for what to see and this week it’s my turn.

In order to streamline my choices and prevent my head from exploding, I’ve narrowed it down to these four categories: The Hidden Gem, The Top Venue, The Top Headliner, Best Overall Show.

Keep in mind that this list is far from extensive, completely biased to my musical tastes and prepared without any thought for the logistics of how someone would attend shows that overlap with each other time-wise. This is just a jumping off point for five days of hipster heaven.

POSTDATA

One of the many (many, many) hidden gems of Pop is POSTDATA, the solo project of East Coast indie rocker Paul Murphy more commonly known for his work in Wintersleep. They’ll be at O’ Patro Vys on Thursday to headline a show featuring Caveboy, Art D’Ecco and Strangerfamiliar.

This part-time project might not get big time attention but after listening to a few tracks I’m baffled as to why. The songs are well crafted, the lyrics are interesting and there’s an accessibility to the music that should interest people with different musical tastes.

POSTDATA perform with Art d’Ecco and Strangerfamiliar Thursday, September 27, 8:30pm at O Patro Vys, 356 Mont-Royal Est. Tickets are $13

Barfly

With so many bands to choose from I knew I had to cheat and pick a whole venue. One of my highlights every year is heading over to my favorite dive Barfly to check out a bunch of bands that you probably don’t know and normally wouldn’t find there outside of POP.

Thursday, Friday and Saturday night they’ll be running shows there with packed lineups for only ten bucks. It’s a sma… urrr I mean “intimate” venue that always has a rock and roll vibe. I once saw a guy on stage there playing the cello and it still felt rock and roll for some reason.

To go with the low ticket price, it’s also got the most affordable drink prices of any of the venues in the fest. Add all that up and there’s a good chance it will be packed on all three nights so get there early if you can.

Usually the bands aren’t as well known but if you’re feeling adventurous and want to explore some new music this is the best place to be. This year I’m looking forward to getting to know Toronto based indie rockers Goodbye Honolulu who are headlining on Thursday.

Barfly is at 4062A St-Laurent

Wolf Parade

While this is a highly unoriginal choice, I’ve decided to put Montreal indie rock royalty Wolf Parade on this list as the top act because of the sheer volume of shows they have in this year’s fest. They’ve taken up residence at Sala Rosa from Thursday to Sunday, so whichever night you plan on heading out, they’ll be waiting for you.

Sometimes picking between a bunch of bands you’re not super familiar with can be a bit tedious, if you just want to go out and be assured of a good time, this is the best option. They’re even hosting an after-party on Sunday the 30th at La Sottorenea for those of you who just don’t want the fest to end!

Wolf Parade perform with various opening acts September 27-30, 9pm at Sala Rossa, 4848 St-Laurent. Tickets are $30 (or $10 for the Basement After-Party)

Blitzen Trapper

Another of the more established acts in this year’s fest is Blitzen Trapper who have been combining indie rock with country and folk influences since 2000, often to critical acclaim. The Portland-based quintet will be supported by three great local acts John Jacob Magistery, El Coyote and Corey Gulkin on Saturday night at Le Ministère: Salle St-Ambroise.

This is my vote for the show with the most solid lineup top to bottom. Event hopping at POP can be fun, especially on a Saturday night, but if you’re not in the mood for that, give this show some serious consideration.

Blitzen Trapper, John Jacob Magistery, El Coyote and Corey Gulkin perform Saturday, September 29, 9pm at Le Ministère – Salle St-Ambroise, 4521 St-Laurent. Tickets are $15

* Featured image from Goodbye Honolulu’s Typical video, via YouTube

** POP Montreal runs September 26-30, full schedule at POPMontreal.com

On September 26th, Pop Montreal returns with another five days of music, film, panels, and visual arts. It’s been a few years since I’ve attended this very Plateau/Mile End festival, but I already know I’m going to have a good time. Because unlike other bigger festivals where you’re drawn to check out what you know, at Pop you’re guaranteed to discover a whole slew of new exciting artists you’ve never heard of before.

Here’s my list of what I’m most looking forward to checking out at Pop Montreal 2018:

Bad Reputation

Ever since I first heard the song I Love Rock n’ Roll as a teenager, I was drawn to the badass that is Joan Jett. This year as part of Film Pop, the festival will be screening a documentary by director Kevin Kerslake about the legendary feminist punk rocker. I’m also looking forward to attending the screening at the newly opened indie/art house movie theater Cinema Moderne on St-Laurent.

Wednesday, September 26, 8pm, Cinema Moderne, 5150 St-Laurent. Tickets $12

Kilo Kish

While rap music isn’t usually my thing, I was so drawn by the music video for Elegance by New York artist Kilo Kish that I officially have added her show to my must-see list. While researching Kish I discovered that Pitchfork recently dubbed Elegance one of the best songs of 2018, declaring “Building from the stream-of-consciousness style that characterizes most of her catalog, Kilo Kish turns her racing thoughts into crackling electricity.”

Wednesday, September 26, 11pm, Piccolo Rialto, 5723 Ave du Parc. Tickets $20

Puces POP

My favourite part of POP. The festival has these fairs year-round now (if you’re friends with a Plateau gal, you’ve undoubtedly been dragged to one of these events), but the biggest of them all is always during the main festival in September. For three glorious days, you can shop for prints, jewelry, food, makeup and clothing. So come watch hipsters gather in their natural habitat, and leave with a cute new print to hang on your wall!

September 28-30, Eglise St-Denis, 454 Laurier Est. Schedule

Molly Nilsson

Molly Nilson is a Swedish pop singer that, according to Pitchfork “does ennui like no one else.” That combined with her 80s music sound has me excited to see what she does onstage. I would love to tell you more about her but she doesn’t have much of a social media presence… which kind of only makes me want to get to know this artist more.

Thursday, September 27, 8:30pm, Bar “le Ritz” P.D.B., 179 Jean-Talon Ouest. Tickets $16.50

Art POP

In between film screenings and shows, I plan on checking out the many art shows that are also happening during Pop. Here’s just a sampling of the ones I’m most excited for:

Où sommes-nous

OBORO and White Frame co-present Où sommes-nous, an exhibition by Judith Albert, Katrin Freisager, Dana Claxton, and Nik Forrest. These four established artists open and disrupt our knowledge of space and time, bringing into question the line between reality and illusion through poetry and resistance. (info)

Pop Pavillion

Art POP is collaborating for the very first time with the Association of Visual and Media Arts Masters students (AEMAVM) of the Université du Québec à Montréal to co-present POP Pavillon, AEMAVM’s annual group exhibition showcasing the work of 11 exciting, emerging artists. (info)

Whispering Pines

Centre Clark presents a new exhibition by Shana Moulton, an artist who creates evocatively oblique narratives in her video and performance works. In Whispering Pines, the artist presents art pieces combining an unsettling, wry humor with a low-tech, pop sensibility.(info)

* POP Montreal 2018 runs September 26-30. Full schedule available at POPMontreal.com

** Featured Image: Screengrab from Kilo Kish’s Elegance video

Montreal’s The Holds are a band inspired by the greats and their local contemporaries. Frontman Ryan Setton cites classic R&B artists like Otis Redding and Stevie Wonder, classic rock acts such as The Animals and Led Zeppelin and  local acts like John Jacob Magistry and The Damn Truth among the band’s influences.

“When we approach what we do,” Setton said in a telephone interview, “we’re influenced by the past but we’re not thinking about it. We’re definitely in the moment of what’s going on now (on the Montreal scene). The result is The Holds.”

Setton feels that the scene that influences them is also one that gives back.

“Montreal’s always been a very supportive scene, a lot of people are supporting the bands,” he said, adding that “it can be tough, though, at the same time because there are a lot of bands. So it can be intimidating sometimes as an artist to find out just where you fit in.”

The Holds is Setton on vocals and guitar, Justin Wiley on drums and percussion, Eric Hein playing lead guitar and André Galamba on bass. That was the same lineup I caught at their EP launch two years ago, shortly after the band’s formation.

“We are lucky enough to have the same lineup for years,” Setton observed, “building chemistry and having a good band chemistry and interaction between the musicians is super important. With the first EP it was more like ‘Hey, let’s do this!’ We didn’t really know where it was going to go. But doing this second record it was clear we’re all on the same page…There’s no confusion as to what direction we’re headed in as a band.”

While The Holds are a band that sticks together, they also tried living together for four days in the country. This was in order to record their first full-length album Juke, featuring songs they had already written over the course of a year and a half.

“We had recorded many times in the city,” Setton remembered, “and at the end day everyone would go home and we’d have to come back in the morning and get back into the flow. That’s why I thought if I get everyone together, we’re in one place, we’re stuck there…and it was totally worth it because it all worked out for the best.”

You can hear for yourself this Saturday when The Holds play live and release Juke. In the meantime, enjoy this video from their first EP:

* The Holds Juke Album Launch with special guests Celina Wolfe and Lea Keeley is Satuday, August 25 at 9pm (doors 8pm) at le Petit Campus, 57 Prince Arthur Est. $10 (includes a dropcard with a download code for the album)

Day 3 of Osheaga seemed like any other. Folks both young and old lining up for the attractions in between the long awaited sets of their favourite artists.

The atmosphere was jolly, friendly and exciting. There was much to be entertained with and everyone seemed delightfully entangled with the surrounding crowds and atmosphere.

With seesaws, contests, and plenty of freebies, Osheaga is certainly a place where one could relive their youth.

Ready for Day 3

 

These dudes clearly didn`t read the sign

 

Checking out the Perrier Greenhouse

 

Fun comes in all forms at Osheaga

 

Jungle wowing the crowd

 

A screen grab, so to speak

 

DVSN from a distance

 

Excited crowd for Brockhampton

 

Excited crowd with Brockhampton

 

Even with 95% humidity day two of Osheaga was still was packed, energetic affair. As we arrived this afternoon, it was hard not get swept up in the crowds of kids singing “Ole, Ole, Ole, oh LEY!”

It really set the tone of what Osheaga is all about; swarms of people heading off island to get rowdy.

Here are a few snapshots of the day:

Chad and Avril waiting in line to get on the Yellow Line

 

Aaaand we’re back!

 

There’s a ball pit on sight so that kids of all ages can play when not checking out bands.

 

When you’re the old people at the party this is the band you’ve been waiting for. Blondie is still rocking it as hard as ever

 

Nice to see some local eateries represented. Grumman ’78 is a favorite for St-Henri locals and now known to the locals of Osheaga.

 

Not to mention it’s damn tasty and a great way to re-fuel before more music

 

Chilling in the back as the sun goes down listening to Lord Huron. You have to sit sometimes.

 

San Holo saying goodnight

 

There were nighttime makeovers too

 

We decided to watch Arctic Monkeys from a safe distance

 

Here’s a better view (photo P Beaudry, courtesy Osheaga/Evenko)

 

The view as you leave Osheaga

A day at Osheaga is like a rollercoaster. It’s fast, crowded and constantly in movement.

The key, just like a roller coaster, is to stay focused on the spot right in front of you and keep your wits about you.

It’s impossible to do everything and trying will result in truly doing nothing. Instead pick what you like the most and stick with it.

Here are a few brief moments in time that capture some of what went on today:

The Scene

 

The Music (Of Course)

Rainbow Kitten Surprise (image P Beaudry Courtesy Osheaga/Evenko)

Chromeo (photo Chris Zacchia)

The Food (more on this tomorrow)

Summertime is peak festival season. This is supposed to be a fun, exciting time of year when you get to see some of your favourite artists or discover new ones. But for others, festival season can also mean an increased period of unwanted sexual advances.

Despite the heightened awareness surrounding these issues due to the #metoo movement, sexual harassment and assault is still prevalent at festivals all around the world. A quick google search reveals articles with disturbing titles like Sexual Harassment was Rampant at Coachella 2018. And in response to the high number of sexual assaults at festivals in Sweden, the first cis, non-binary, and trans women-only music festival, Statement Festival is scheduled to launch in late August.

In Montreal, a real conversation about sexual harassment and assault at festivals started in 2016. When Osheaga officials initially brushed off Melanie Doucet’s claims that her drink was spiked, she went to the media to share her story. Doucet’s story inspired The Montreal Women’s Council to survey women about their festival going experiences.

The results of the survey, which included women of colour, women with disabilities, and members of the lgbtq community, were both scary and unsurprising. 56% of women who attended festivals in Montreal reported being harrassed. 37% of women surveyed admitted to being sexually assaulted. And that’s only the women who were willing to come forward. Many victims, either out of shame or embarrassment, never speak up.

So how has Osheaga, which starts this year on August 3rd, responded to these issues? For the second year in a row, the festival has hired the Les Hirondelles intervention team to roam the grounds. In a press release for this year’s festival, executive vice president and chief operating officer of evenko Jacques Aubé stated that “The presence of the Hirondelles is perfectly in line with our primary objective, which is to allow all festival-goers to fully enjoy their entertainment experience in a safe environment.”

Recognizable by their armbands with a pair of swallows, The Hirondelles are specialized security squads designed to increase the safety of vulnerable people at the festival. They will also have booths on the grounds that act as safe spaces for people who feel threatened.

It’s commendable that Osheaga has started taking steps to ensure that everyone (we can’t forget that men are victims of sexual harassment and assault as well) can feel safe from these kinds of vulgar and inappropriate situations. If only we could live in a world where everyone could just keep their hands or comments to themselves, and enjoy the music.

On Friday Osheaga returns to Parc Jean Drapeau for three days of music, art and general fun in the sun. As a result, we at FTB have been putting together our lists of performances we’re most looking forward to see.

Yesterday Stephanie Laughlin put out her list of top choices, today it’s my turn. It’s a mix of bands I already know, ones I want to get to know and ones I want you to get to know. The list is completely personal, totally biased and omits any act that I deem “too big” to preview.

You might have bought a ticket because of the headliners, but there’s a whole day of stuff to do before that so let’s get started.

Manchester Orchestra

A year removed from releasing their critically acclaimed 5th studio album A Black Mile To The Surface, the Atlanta Georgia indie rockers Manchester Orchestra are still out on tour in support and they’ll be hitting the Osheaga stage on Friday afternoon. Their music ranges from melancholic ballad to energetic rock with lyrics that feel very personal, sung ever so sweetly by frontman Andy Hull.

Their songs feel musically spacious yet lyrically intimate, designed to evoke a powerful and emotional response from their audience. What better excuse could you have for leaving work early and getting the jump on the weekend.

 

 

Rainbow Kitten Surprise

Besides the obvious fact that their name is just flat-out awesome Rainbow Kitten Surprise also brings some serious musical talent to the table. Their songs are driven by solid bass and drum grooves, their lyrics are witty and fun, their vocal harmonies are spot on. They’re the type of band that even if you don’t know them all that well, it won’t be hard to get into the show.

 

 

John Jacob Magistery

There’s no way I was going to miss the chance at a little hometown bias in the list, Montreal’s own John Jacob Magistery are on early Saturday. It’s well deserved that the local art/folk rock ensemble is getting a spot on a big stage so I feel it’s only right to show a little support.

If you’re unfamiliar with them here’s their bandcamp page plus their video for Carol, a track I could listen to all day every day.

 

 

LP

Laura Pergolizzi (LP’s her stage name) has been around for a while, released four albums and written songs for some pretty big name acts. I’m not familiar with her work but after listening to a few tracks I was won over.

It’s apparent right away that she’s someone with a truly special vocal style. I’m now looking forward to checking her out live when she plays midway through Saturday afternoon.

 

I could go on and on but with about 100 acts in the festival you have to draw the line somewhere. Besides I’ve got some sunscreen to buy, they’re calling for blues skies all weekend.

* The 2018 edition of Osheaga runs August 3rd, 4th and 5th. Tickets available at osheaga.com

** Featured image of John Jacob Magisteray courtesy Oshgeaga/Evenko

Osheaga, the popular music festival which comes rolling into Montreal every August, is upon us yet again. Anyone who’s taken a gander at the schedule is likely pumped for all the major acts showing up; who wouldn’t want to see Blondie, Florence and the Machine, or the Yeah Yeah Yeahs perform?

And while I’ll definitely be checking out those shows, what I’m more interested in is discovering new bands I’ve never heard of before. Now they might be old news to you young hip folks, but here are five bands this 30-something is excited to hear for the first time:

Birds of Bellwoods

This folk-pop quartet from Toronto has been building solid buzz ever since their award-winning EP The Fifth. These actor/musicians apparently really bring their A-game to their stage performances.

One blogger praised the band by declaring “When all four members of Birds of Bellwoods step up to the mic, something amazing happens. Their voices play off each other and the audience is reminded of all the beauty in the world left to fight for.”

I’ll find out on Friday if they live up to the hype!

Julien Baker

A quick YouTube search of this American singer/songwriter from Memphis shows that I’m definitely late to the game in discovering her music: Her video Appointments has a million views and her NPR Tiny Desk Concert performance has over two million.

Baker’s debut album Sprained Ankle in 2015 was on all sorts of year-end best lists from NPR Music to New York Magazine’s Vulture. From what I’ve listened to so far, she sounds like the perfect music to play when you’re relaxing at home and need a good cathartic cry.

Milk and Bone

One of the joys of living in Montreal is we have a plethora of musicians creating amazing art. One of the downfalls is there’s so much to take in sometimes you miss out on awesome bands like Milk and Bone! But thank goodness I get to finally see this dreamy electro pop duo which hails from my hometown.

Alex Lahey

This Australian indie-rocker has been making a name for herself ever since her 2016 single You Don’t Think You Like People Like Me, one of the catchiest songs about rejection ever released. Her music immediately makes me nostalgic for the pop-punk days of my youth, when I’d jump head first into a mosh pit at Foufones Electroniques. I may not hit the pit anymore (seriously, i’m in my 30s), but I will be there from the back, eagerly cheering her show on.

The Beaches

This all-female glam rock band from Toronto immediately caught my attention with their undeniable style. (I’m a sucker for a well put together 60s look). And taking a look at their music on YouTube showed that the band isn’t all style and no substance. Their tracks Money and T-Shirt are catchy rock songs I could easily see playing at my next party.

* The 2018 edition of Osheaga runs August 3rd, 4th and 5th. Tickets available at osheaga.com

** Featured image of The Beaches courtesy Osheaga/Evenko

To conjure a more perfect day for an outdoor festival, one would have to conjure a cluster of unicorns to fart pastel coloured clouds of glitter and cupcakes. The sun was bright, the breeze was cool, and no one was talking about Humidex. I had a ziplock full of toilet paper, and was ready to rock the day away.

The pre-game ran late, and I started to panic: we must make it in time for L7! There with 15 minutes to spare, I was glad to see so many eager faces and bands shirts (because 3pm doesn’t feel like the epic time slot they deserve, but no one asked me).

They played everything: from Andres, the first song of theirs I heard back in *ahem* 1994, to last year’s fab singles, and singing along with them in the sun on a Friday afternoon, was epic. Drummer Dee Plakas was out with injury, so Motley Mel held down the beats like she’d always been there.

In fact, in my only almost-brush with fame, I swear Jennifer Finch and Motley Mel passed right in front of me at the Sick Of It All stage, but it happened so fast that I didn’t have the chance to make a fool of myself, so it worked out for the best.

“Let’s celebrate like we don’t give a faaaahhhhk!” – SOIA

Sick Of It All had all the energy you complain that you don’t, and I had to remind myself that brothers Lou and Pete Koller have been fronting the band since 1986. They fired up the crowd, and then hosed them down.

There was a great turnout of cool families with adorable mini punks, so we’re teaching the children well. Bonus points go to those who had to balance small humans over sketchy Porto potty seats and managed not to drop them in the blue. My ziplock of tp proved essential before the sun had even set.

Me First and The Gimmie Gimmies brought the slick threads, and cool classics. They have an endless repertoire, of course, yet I never thought I’d be part of a crowd singing John Denver’s Take Me Home, Country Roads; I was, and I liked it!

They did other improbable ones like Jolene and a super deep cut, a cover of a cover, 60s French band Les Pirates version of Del Shannon’s Hat’s Off To Larry, Oublie Larry.

Fresh of their Thursday night appearance on Jimmy Kimmel, and on a collective three hours of sleep, The Interrupters brought the upbeats, and the hits we wanted to hear.

Rise Against put on a helluva show, which I’M sure didn’t surprise their fans, though I was pretty unfamiliar with them, so I got to be freshly impressed.

There was a neat little food court near the Garden Stage, and I had an awesome kalbi meatball sandwich that I swear was from Lavandaria, but I can’t seem to find any online listing to prove that the reservations only Westmount eaterie was out punking, so all I have is my half baked, sun and beer soaked memory of a damn good sandwich.

Deep shag astroturf!

On our way out, I had one more stopped planned, and that was for DOA, who haven’t actually stopped doing anything since 1978. It was a pleasure to close out the night with a band that was proudly celebrating their 40th anniversary.

This being my first trip to 77, it’s safe to say that I’ll be back with bells on next year. A shout and and much respect to those who did the three day double fest of 77 Mtl and Heavy Montreal; it’s Sunday night, and I’m still beat from Friday…and still super jazzed, too… and totally typing in my new L7 shirt.

* Photos by Dawn McSweeney

Alright Kiddies, it’s time to lace up your boots and get your hair all spikey, ‘cuz the punk show is coming. 77 Montréal is back for its sophomore season, and it’s bringing bands spanning 40 years, two continents, and four countries to celebrate the history of punk music and culture in our badass belle ville.

Rise Against is headlining, along with AFI, and Suicidal Tendencies (Get Your Fight On! is out now), but the whole lineup is a veritable Who’s Who.

Reuniting in 2015, OG riot grrrls/nineties icons L7 released their first new music in 18 whole years last year, teasing a 2019 album. The singles, Dispatch From Mar-a-Lago and I Came Back to Bitch make it clear that they’re still ah-mazing and political, so whether you’re feeling nostalgic, or looking to be cutting edge, this one’s special.

From the eighties, there’s Sweden’s Satanic Surfers who got the band back together after an eight year break for 2015’s Amnesia Rockfest, and have been rocking since, while NYC’s Sick of It All haven’t stopped since 1986, so why the hell would they now?

You know that punk cover of that non-punk song that you dig so hard? It’s by Me First and The Gimmie Gimmies, and they’ll def be bringing sing alongs to this party.

I had no idea that hardcore pioneers DOA were Canadian, but they are, and that’s awesome! From Vancouver in 1978, all the way to their 2018 release Fight Back, they’ll be closing out the night with decades of bangers.

And while they’re repping our West Coast, The Planet Smashers, Les Fucking Raymonds, and Pussy Stench will be showing off Quebec’s skills.

Edinburgh, Scotland’s The Rezillos have been together longer since they reunited in 2001 than their original 1976-1987 stint, but they still deserve the old school cred. They, as well as The Interrupters, are scheduled to make me wish I wore my crinoline, so catch me doing my best Daisy Duck dance by these stages.

I’ve got a Spotify list going, so you can really plan your day!


But wait, my Hardcore Hotties, there’s more than just music!

There’s a vinyl booth promising new, used, and rarities, along with a concert poster gallery showcasing some of Montreal’s rock history, with prints for sale. I’m betting they’ll have some of the goodies featured on the Mtl ‘77 You Are the Scene Archive, which is a trip all by itself. There you can find a poster for when the Dead Kennedys played The Spectrum, with tickets on sale at Dutchy’s, and pics from when Iggy Pop, David Bowie, and Blondie played for a whopping $6.50 a head.

In that vein, films and documentaries on punk history will be played on site throughout the day, making it a full throttled cultural immersion.

This is the first Parc Jean-Drapeau event with a straw ban, but beer sucks with a straw, so whatevs. Reusable water bottles are being encouraged, with free refill stations to keep us hydrated, which is awesome, as paying for water is decidedly not punk.

All this bang is a seriously reasonable $70, and for the rockers who just can’t get enough, you can combine it with Heavy Mtl for $210, and really call it a season.

See you there.

* 77 Montréal is July 27 at Parc Jean-Drapeau. Tickets available through 77Montreal.com